Ubuyu (First Bath)
Short film of an infant's first bath based on footage found in an antique shop in Japan. The material dates from the early-to-mid Showa era, a period marked by the disastrous consequences of war. Completed during the 70th anniversary of the atomic bombing of Japan, the film invites poetic reflection on the fragility of peace. Music by Tomoko Sauvage, who creates harmonies using bowls of water and hydro-microphones.
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Michael LyonsDirector
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Michael LyonsProducer
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Tomoko SauvageComposer
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Project Type:Documentary, Experimental, Short, Other
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Genres:Experimental, Art, Found Footage
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Runtime:6 minutes 20 seconds
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Completion Date:August 15, 2015
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Country of Origin:Japan
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Country of Filming:Japan
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Shooting Format:8mm
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Living Arts vol. 27, UrbanGuildKyoto
Japan
December 4, 2015
World Premiere -
Short Movie ClubMinsk
Belarus
European Premiere -
Staunton International Film FestivalStaunton, VI
United States
North American Premiere -
Golden Reel International Underground Film FestivalUlaan Baatar
Mongolia
Mongolian Premiere -
Salón Internacional de la LuzBogotá
Colombia
South American Premiere -
Antimatter [Media Art]Victoria
Canada
Canadian Premiere -
Jornadas de ReapropiaciónMexico City
Mexico
Mexican Premiere -
Norwich Radical Film Festival,Norwich
United Kingdom
UK Premiere -
16th Festival Images Contre NatureMarseille
France
French Premiere -
El Festivalico Muestra de Cortometrajes y VidearteCaravaca
Spain
Spanish Premiere -
La Mida no ImportaBarcelona
Spain
January 27, 2017
Catalan -
CÓDEC Festival de Video y Creaciones SonorasMexico City
Mexico
Michael Lyons is a researcher and artist based in Kyoto, Japan. He is currently Professor of Image Arts and Sciences at Ritsumeikan University.
In the Spring of 2015, I happened to find a discarded home movie in a rusty metal can in an antiques shop in Kyoto, Japan. Shot on regular 8mm film the film depicts the first bath of a young infant, probably one or two months of age. Projecting it, it was encouraging to see the film was in relatively good shape and the quality of of images impressive.
In making this work, I have edited the original film, retimed it, and added some subtle effects. I have acted as a 'post-producer' in a sense discussed by Nicolas Bourriaud - I have reused discarded images for purposes relevant to the contemporary situation. It is not known who made the film, however it is clear that it dates from the early to mid-Showa Era, a period in which the people of Japan suffered the disastrous consequences of war. The work invites reflection on the value and fragility of peace.