Hermetica Komhata HK320
From 1941 to 1943, Dr Joseph H. Stanislaw produced a science fiction film with which he intended to disclose his theories and research concerning the study of the influence of cosmic emanations on the human mind, through his experiments with film of Ektoplasmic sensitivity.
The story of this unique scientist and his unreleased film (Sadly destroyed by Soviet authorities during the siege of Leningrad )
It seemed lost forever ...
Until 1965 when some of the most important pieces of his invaluable legacy were found in the depository of Kresty prison. Now at last, after a painstaking restoration, and thanks to the magic of cinema's science,
We are going to travel into an utopian world where all his theories have been implemented.
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Ricardo SalvadorDirector
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Erik Alexander WilsonDirector of Photography
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Project Title (Original Language):Hermetica Komhata HK320
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Project Type:Feature
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Genres:Sci-fi, experimental, Surreal, metaphysical
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Runtime:1 hour 32 minutes 19 seconds
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Completion Date:September 18, 2016
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Production Budget:200,000 EUR
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Country of Origin:Spain
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Country of Filming:Spain
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Language:English, Spanish
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Shooting Format:S 16 mm
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Aspect Ratio:1,85:1
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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BIDEODROMO International Experimental Film Festival 2016Bilbao
Spain
September 18, 2016
Official selection -
III CINEMISTICA 2016Granada
Spain
December 3, 2016
Official selection -
International Monthly Film FestivalCopenhagen
Denmark
February 22, 2017
Nominated Best Experimental Film -
Defy Film FestivalNashville
United States
August 18, 2017
USA premiere
Official selection -
Experimental SuperstarsNovi Sad
Serbia
August 26, 2017
Serbian premiere
Official selection -
European Film Festival (Mainstream & Underground)Moscow
Russian Federation
October 14, 2017
Finalist Best Feature Film -
The First Hermetic International Film Festival (FHIFF)Venice
Italy
March 2, 2018
Italian premiere
Mercury Award for best picture, Eco Award for best research, Jodorowsky Award for best topic -
Arizona Undeground Film festivalTucson
United States
September 18, 2018
Official selection -
Cinematic PanicMemphis TN
United States
October 25, 2018
Official selection -
La mistura festival de cultura remixZaragoza
Spain
November 15, 2018
Official selection
BIO/FILMOGRAPHY
Ric Salvador (born 1970, Zaragoza , Spain)
Other names: Dr. Joseph H. Stanislaw
Editor, 2d animator, Post-production manager, screenwriter and underground film-maker.
Since 1998 Salvador has been developing film making activities between London (UK) and Zaragoza (Spain) he works as an editor and in post-production collaboraring in short films, features and advertising .
In the year 2000 his passion for ancient philosophy influenced him to found Hermetica films, a company dedicated to produce underground films of hidden knowledge through the exploration of alternative narrative worlds.
"UNO" (2001) Super 8, colour, 15 min. Filmatic Award in 2001
"He thought He could FLY" (2002) 16 mm, colour, 5 min.
"Ánimas" (2003) 35 mm, b/w & colour, 3 min.
Since 2005 to date he has been experimenting with public archive's footage, creating twenty-three short pieces of appropriation and ten animations, a collection made under the name of
"The Observatory of Nuclear Ectoplasm" A fictional society of scholars and scientists founded to restored the memory of DR. Joseph Hyeronimous Stanislaw; an unusual and almost invisible (fictitious) scientist-filmmaker who disappeared in 1944 .
The Observatory project continued in 2010 when he assumed the role of directing and editing the retro SCi-Fi film "Hermetica Komhata HK320" (2016) Super 16mm & 2K digital, b/w & colour, 95 min. Finally completed and released as a found footage film, the final cut is the product of the combination of six filmed scenes of conventional fiction with the Observatory’s collection, which it was specially produced to build up the narrative of the film.
Ric Salvador is passionate about metaphysics, mysticism, kabbalah, spiritism ... and uses the genre of Science Fiction / Terror in an underground and experimental way, to transmute within his films, transcendental and pseudo-scientific themes into a unique amalgam of cinematic techniques and manipulation.