Experiencing Interruptions?

Excising the Heart

This visual journey through one barn's demolition offers a reflection on time, decay, and man's ever-changing relationship to nature.

  • Samuel Karow
    Director
    3 Miles East, Marshland
  • Project Type:
    Documentary, Short
  • Runtime:
    4 minutes 45 seconds
  • Completion Date:
    March 13, 2015
  • Production Budget:
    500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • 2015 Milwaukee Short Film Festival
    Milwaukee, WI
    Wisconsin Premiere
  • 2016 Thin Line Festival
    Denton, TX
    Texas Premiere
  • 2016 Wildwood Film Festival
    Appleton, WI
  • 2016 Wisconsin Film Festival
    Madison, WI
  • 2016 Chippewa Valley Film Festival
    Eau Claire, WI
  • 2016 North By Midwest Micro-Budget Film Festival
    Kalamazoo, MI
    Michigan Premiere
  • 2016 HollyShorts Film Festival
    Hollywood, CA
    California Premiere
  • 2016 Sound Unseen Film & Music Festival
    Minneapolis, MN
    Minnesota Premiere
  • 2017 Green Bay Film Festival
    Green Bay, WI
  • 2017 Purgatory Film Exhibition
    Detroit, MI
  • 2017 Globe International Silent Film Festival
    Lansing, MI
  • 2018 New Visions Gallery Culture & Agriculture Exhibit
    Marshfield, WI
  • 2018 Big Water Film Festival
    Ashland, WI
Director Biography - Samuel Karow

Samuel Karow is a video artist based in Central Wisconsin. In 2011 he received his BFA from UW-Milwaukee's Department of Film. Specializing in documentaries, Karow seeks to capture genuine moments of beauty, intimacy, and conflict. When given ample time for discovery, he finds that the ordinary becomes quite extraordinary.

Karow's work has been exhibited nationally and internationally. His award-winning short film “3 Miles East” was included in the 64th Cannes Film Festival Court Metrage.

Add Director Biography
Director Statement

Some say a barn is like a cathedral; a vast expanse of space holding back the elements, connecting people to a larger power. A tie to nature. A link to the past.

Every church has its priest. This was the role my grandfather assumed. Raised on a small dairy farm that saw three generations living and working together, he knew such places to be sacred. They represented the heart of a farm, the livelihood of a family. Only after his death did the barn succumb to ruin.

I wish I could have saved it, but it was not mine to save. I never milked a cow, bundled hay, or shoveled manure. No, this was my childhood playhouse. A place of fantasy.

For a time my family kept the barn propped up as an oversized lawn ornament, but soon discovered a thin coat of red paint does little to mend a leaking roof and crumbling foundation. It takes a truly symbiotic bond for a barn to endure. When this bond breaks, we, the surviving heathens, are forced to choose between slow rot and swift destruction. We chose the latter. This film serves as my personal documentation of the process.