Excising the Heart
This visual journey through one barn's demolition offers a reflection on time, decay, and man's ever-changing relationship to nature.
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Samuel KarowDirector3 Miles East, Marshland
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Project Type:Documentary, Short
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Runtime:4 minutes 45 seconds
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Completion Date:March 13, 2015
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Production Budget:500 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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2015 Milwaukee Short Film FestivalMilwaukee, WI
Wisconsin Premiere -
2016 Thin Line FestivalDenton, TX
Texas Premiere -
2016 Wildwood Film FestivalAppleton, WI
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2016 Wisconsin Film FestivalMadison, WI
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2016 Chippewa Valley Film FestivalEau Claire, WI
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2016 North By Midwest Micro-Budget Film FestivalKalamazoo, MI
Michigan Premiere -
2016 HollyShorts Film FestivalHollywood, CA
California Premiere -
2016 Sound Unseen Film & Music FestivalMinneapolis, MN
Minnesota Premiere -
2017 Green Bay Film FestivalGreen Bay, WI
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2017 Purgatory Film ExhibitionDetroit, MI
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2017 Globe International Silent Film FestivalLansing, MI
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2018 New Visions Gallery Culture & Agriculture ExhibitMarshfield, WI
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2018 Big Water Film FestivalAshland, WI
Samuel Karow is a video artist based in Central Wisconsin. In 2011 he received his BFA from UW-Milwaukee's Department of Film. Specializing in documentaries, Karow seeks to capture genuine moments of beauty, intimacy, and conflict. When given ample time for discovery, he finds that the ordinary becomes quite extraordinary.
Karow's work has been exhibited nationally and internationally. His award-winning short film “3 Miles East” was included in the 64th Cannes Film Festival Court Metrage.
Some say a barn is like a cathedral; a vast expanse of space holding back the elements, connecting people to a larger power. A tie to nature. A link to the past.
Every church has its priest. This was the role my grandfather assumed. Raised on a small dairy farm that saw three generations living and working together, he knew such places to be sacred. They represented the heart of a farm, the livelihood of a family. Only after his death did the barn succumb to ruin.
I wish I could have saved it, but it was not mine to save. I never milked a cow, bundled hay, or shoveled manure. No, this was my childhood playhouse. A place of fantasy.
For a time my family kept the barn propped up as an oversized lawn ornament, but soon discovered a thin coat of red paint does little to mend a leaking roof and crumbling foundation. It takes a truly symbiotic bond for a barn to endure. When this bond breaks, we, the surviving heathens, are forced to choose between slow rot and swift destruction. We chose the latter. This film serves as my personal documentation of the process.