The Double Deal
For Mathew Calder, life is about to change forever. An all night high stakes poker game results in not only the loss of a fortune, but very nearly his life as well. Whilst in a deep coma and in the twilight world between the life and death, he has an extraordinary experience and with it an opportunity to save himself, his life and his future.
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Doug RollinsDirectorNow Retired (short) (2010)
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Mark HoldenWriter
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Doug RollinsWriterNow Retired (short) (2010)
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Mark HoldenProducer
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Patsy McKayProducer
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Mark HoldenKey CastCaptain Phillips
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Caroline ChikezieKey CastThe Sweeney
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David WebberKey CastCaptain Phillips
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Vincenzo NicoliKey CastThe Dark Knight
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Genres:Drama, Fantasy
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Runtime:15 minutes 46 seconds
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Completion Date:July 31, 2014
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Production Budget:10,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.35: 1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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San Diego Black Film FestivalSan Diego
United States
Best Short Film
Doug trained as an actor, appearing in over 55 commercials, some high profile TV and various stage productions. After 23 years he made the switch to directing, writing and directing his first professional short film ‘Now retired in 2009,' which won a best drama award at Beneath Earth Film Festival. He has since shot 8 short films including, The Double Deal.
He was mentored by the BAFTA award winning TV director, Nigel Douglas and under his stewardship combined with the long years of filming experience adds a unique perspective to his work.
‘I believe I have a natural flair and affinity with communicating with actors, a deep understanding of the challenges they can face through my own experiences in front of the camera. A crew and cast must always function as team, working together, often in challenging and less than perfect conditions and I see it as an honour to take on the creative responsibility for a project and the joy of witnessing great work is a reward in itself.’
‘I started life as a railwayman and a truck driver, and so when I went to drama school it opened a world of possibilities. I unlocked my imagination. It was a place where telling stories was the great aim ultimately, and a platform from which you could learn to do it. Film is the perfect medium for this, with its nuance and its detail and its access to the human condition. Its greatest asset is its facility through detailed observation to touch the deepest emotion within us all. I think if Shakespeare were alive today there is no doubt that he would have made his mark as an extraordinary film maker’.
Selected Director Credits:
The Double Deal (Short) 2014
Sentenced Served (Short) 2012
When You Are Here (Short) 2012
Lose Some, Win Some (Short) 2010
Now Retired (Short) 2010
Mark and I had worked together as actors on one occasion during a BT ad, directed by Alan Coulter and in the passing years we always talked about making a film together. The Double Deal is the result of that collaboration, a part moral tale, part fantasy thriller with a hugely experienced cast and crew who were a joy to work with.
The story idea was entirely Mark’s and I had the task of developing it from a story and a rough script to the final version. When Kerryn Arcari was brought on I knew we were in safe hands .This was an ambitious effort for a short film; with an allocation of only two days on the schedule I knew there would be no room for error. The first day at the hospital and the house were relatively simple. But day two involved a stunt, as Mark’s character gets hit by the van and I had to be creative with shooting enough footage and angles to deceive the audience. The afternoon into the night involved shooting the poker game. This did prove challenging with a single camera and a fairly large cast! I have to be happy with the amazing work everybody contributed and to the highly skilled work from the editor, Emma Collins who we are privileged to have on the project.
‘Film making is always an edgy environment to be immersed in. The process is always changing from calm to complicated to critical and back again! But the creative process is so complete compared to the visiting structure, for example, of being an actor, where you spend a few days on set and then disappear, leaving this huge moving unit to continue on day after day. I was drawn by that and became a director because of the involvement from early idea, to script drafts, to casting to shooting and then the edit. The rewards are immense, as is the pressure sometimes ‘
Mark and Patsy proved to be astonishing first time producers and there would no hesitation whatsoever in collaborating with them again. The festival circuit awaits the film and I wish it the luck it deserves.