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Dying for Europe

The largest migratory flow recorded in history since World War II is revealed through fragments of personal stories. The heartrending trilogy focuses on the strength and hope of those who dare to dream a better life in Europe and are willing to even give their lives for a ‘new’ life.

  • Nikos Pilos
    Director
  • Natasha Blatsiou
    Writer
  • Pantelis Liakopoulos
    Video Editor
  • Goethe Insitute of Athens and Nikos Pilos
    Producer
  • Arsinoi Pilou
    Second-unit camera
  • Giorgos Grillis
    Second-unit camera
  • Iraklis Deimertzidis
    Second-unit camera
  • Orestis Kamperidis
    Sound director / Orinigal music composer
  • Project Type:
    Documentary, Short
  • Runtime:
    17 minutes 12 seconds
  • Completion Date:
    December 1, 2017
  • Production Budget:
    10,000 EUR
  • Country of Origin:
    Greece
  • Country of Filming:
    Greece
  • Language:
    Arabic, English
  • Shooting Format:
    Digital, 35 mm
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Thessaloniki International Film Festival
    Thessaloniki
    Greece
    March 2, 2018
    European Premiere
    Thessaloniki International Film Festival
  • International Festival of Mediterranean Documentary and Reportage.
    Marseille
    France
    November 28, 2018
Distribution Information
  • Nikos Pilos
    Country: Greece
    Rights: All Rights
Director Biography - Nikos Pilos

Nikos Pilos is an award-winning photojournalist currently based in Athens and Belgrade, and one of Europe's noted feature photographers. He has traveled extensively to document war, natural disasters, poverty, socioeconomic struggle and cultural shifts. Since his first assignment in Lebanon in 1988, he has covered major historical events such as the overthrow of Nicolae Ceausescu in Romania, the Israeli-Palestinian conflict, the wars in former Yugoslavia, the war in Iraq where he spent 100 days without being embedded and the latest Lebanese conflict. For the past four years, he has been mainly covering the Greek and the Cypriot recession, the Istanbul uprisings, the rise of nationalism in Europe and the current refugee crisis. His work appears regularly in top international newspapers and magazines and has been exhibited throughout Europe and U.S (The New York Times, TIME, Newsweek, Stern, Der Spiegel, Die Zeit, The Financial Times, The International Herald Tribune, The Sunday Times, The Independent, The Guardian, Bloomberg, Internazionale, L'Esspreso). His latest documentary work has been awarded among the others in PriMed 2018 International Festival of Mediterranean Documentary and Reportage France, World Press Photo 2017, POYi 2016, IPA 2016 and MIFA, 2016. His previous filmography includes Stateless (2014) and Hotel Yazidi (2017).

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Director Statement

Greece has been the gate to Europe since 2009, when the immigration crisis broke out. Migrants from Asia, Africa and the Middle East crossed the Greek boarders either by land or sea. In the years 2015-2017, the situation deteriorated with over 1.000.000 people making their way into the EU. In fear of “immigrant invasion” and terrorism, 12 razor-wire fences were built by European and Balkan countries. Today, about 60.000 refugees and migrants are still trapped in Greece.

With no efficient action by EU and while Greece struggles in the middle of financial and social crisis, it seems impossible for the authorities to deal with the issue. Despite local societies' efforts, refugees and immigrants hardly manage to maintain their basic rights. When lucky enough to escape death, they have to deal not only with their uncertain future, but also with xenophobia, violence and marginalisation.

Having worked for many years on migration-related issues worldwide, I couldn’t but cover what has been described as the largest movement of people since World War II; notably, since a part of this international crisis was unfolding on my own country’s soil.

I’ve visited the greek islands which received great numbers of migrants, many of whom had survived deadly shipwrecks. Then, I’ve photographed the harsh conditions in detention centres and refugee camps in Lesvos, Kos and the Greek capital, Athens. Finally, I’ve covered the desperate situation created in Macedonian-Greek borders, when Macedonia erected a wired fence to close the way to migrants heading to other European countries through its territory.

While the European Union was pondering how to keep its boarders “safe”, my intention was to put the spotlight on the immigrants and refugees themselves, revealing the cruel and explosive reality they were facing, trapped in Greece. For some, this is still the case.