SHUT UP, I'M GROWN
Logline
A 45-year-old man who still lives at home clashes with his fiercely old-school mother over respect, responsibility, and adulthood — but when he forgets who really runs the house, he’s hilariously reminded that growing older doesn’t always mean growing up.
Summary
Late one night, Leroy — handsome, 40s, and moving like a man with somewhere better to be — rushes into his mother, Sandy’s house, hoping to change clothes and head back out unnoticed. But in this house, nothing goes unnoticed. Sandy, sharp-tongued and fiercely protective, has cooked, cleaned, and prepared everything for her son — including questions he doesn’t want to answer.
As Leroy dodges her concerns about jobs, interviews, and his late-night whereabouts, Uncle PeeWee watches quietly from behind a newspaper, offering commentary only when necessary. The tension builds when Sandy presses Leroy about responsibility, rent, and rumors of “babies in the house.” Leroy snaps, declaring himself a grown man — a declaration that ignites a full-blown showdown.
What follows is a wildly comedic escalation: a cane-wielding matriarch, a chair lift rising like a warning bell, wigs and hearing aids removed as battle armor, and a blackout that leaves Leroy screaming for mercy. By the end, Leroy — stripped of pride (and clothing) — is outside taking out the trash under Uncle PeeWee’s amused supervision.
This high-energy family comedy explores generational authority, pride, and the uncomfortable truth that adulthood isn’t about age — it’s about accountability. In Sandy’s house, respect isn’t optional… and neither is rent.
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Aliya JacksonWriterCover
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Project Type:Short Script
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Number of Pages:5
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Los Angeles Comedy Film & Screenplay FestivalLos Angeles
December 30, 2020
Selected - 1pg short story (TBC)
Aliya Maryam Jackson is a visionary writer, producer, and CEO of 500 Hungry Gorillas, a powerhouse creative company developing disruptive intellectual property for film, television, publishing, and digital media. Known for crafting emotionally explosive, culturally provocative stories that are impossible to ignore, Jackson creates content that blends raw humanity with high-concept entertainment. She is the driving force behind IMMORTAL, a global impersonator competition positioned as an international entertainment franchise, and the screenwriter of the $3.6 million independent feature Cover, presented at the Pan African Film Festival and starring Vivica A. Fox, Aunjanue Ellis-Taylor, Patti LaBelle, Leon, Mýa, and Louis Gossett Jr.. With a reputation for fearless storytelling, franchise thinking, and audience-capturing concepts, Aliya Jackson is not simply creating projects - she is building an entertainment empire.
In today’s society, we have to laugh—it's how the soul fights back.