140 Characters

“What happened to the future we were promised?"

  • Dean Winkler
    Director
    Dean Winkler is a film/television engineer and video artist. An early adopter of analog video synthesizers, he’s built video editing hardware, post production facilities and immersive environments. He holds a United States patent on analog-to-digital conversion technology. Winkler has also collaborated on numerous video art projects including: “Tempest” (1980) with Vibeke Sorensen and Tom DeWitt; “Act III” (1983) with John Sanborn and Philip Glass; “Good Morning Mr. Orwell” (1984) with Nam June Paik; “Perfect Lives” (1984) with Robert Ashley; “Luminaire” (1986) with John Sanborn and Donald S. Butler; “Continuum” (1990) with Maureen Nappi, “Race Up Race Down” (2015) and others. In 2009 he founded WCI, which is “dedicated to the art and engineering of moving images.” WCI produced “Race Up Race Down” and “140 Characters.”
  • Maureen Nappi
    Director
    Dr. Maureen Nappi is an artist and educator who works in advanced technology creating still and moving imagery. Her work has been exhibited and published internationally at: MoMA; IBM Gallery of Science and Art; Whitney Museum of American Art; Franklin Institute Science Museum; Hiroshima Museum of Contemporary Art; London Film Festival; ISEA; and ACM/Siggraph Art Exhibitions. Nappi received her Ph.D. in Critical Studies from New York University as an American Association of University Women (AAUW) Doctoral Fellow. Dr. Nappi is the head of Media Studies and a professor of Media Studies + CGI at Long Island University in Brooklyn.
  • Donald S. Butler
    Director
    Donald S. Butler is a painter, computer animator and video artist. His career spans stage, screen and print. An early pioneer in the use of computer animation, he began his “Aloi” studies of robot animations in 1986. He has worked as a digital animator and digital compositor across the world including at Post Perfect in New York City and Industrial Light and Magic in California.
  • WCI
    Producer
    www.wci.nyc
  • Project Type:
    Animation, Experimental, Music Video, Short
  • Runtime:
    5 minutes 35 seconds
  • Completion Date:
    April 20, 2017
  • Production Budget:
    11,400 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    3,840 x 2,160 @ 29.97 FPS
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Woodstock Film Festival
    Woodstock, NY
    United States
    October 11, 2017
  • Coney Island Film Festival
    Brooklyn, NY
    United States
    September 9, 2017
  • SENE Film Music Arts Festival
    Providence, RI
    United States
    April 24, 2018
    Audience Award & Jury Award - Best Music Video /Film
  • Big Apple Film Festival
    New York, NY
    United States
    November 12, 2017
  • Video Art Festival Miden
    Miden
    Greece
    May 18, 2018
  • Underexposed Film Festival
    Rock Hill, SC
    United States
    May 9, 2018
  • World Animation Festival
    Los Angeles, Ca
    United States
    September 30, 2017
  • Cinema On The Bayou Festival
    Lafayette, Lo
    United States
    January 24, 2018
  • Block Art Fim & Art Festival
    Logan, Utah
    United States
    September 28, 2017
  • KAFFNY Infinte Media
    New York, NY
    United States
    October 14, 2017
  • Planet 9 Film Festival
    Chicago, Ill
    United States
    October 15, 2017
    Finalist
  • Look To The Future / Past
    London
    United Kingdom
    May 5, 2018
  • Supervova Digital Animation Festival
    Denver, Co
    United States
    September 23, 2017
  • Obsessive Underground Film Festival
    Hamburg
    Germany
    July 23, 2017
  • Short + Sweet Film Festival
    Melbourne
    Australia
    July 13, 2017
  • Warwick Summer FIlm Festival
    Warwick, NY
    United States
    July 26, 2017
  • Melbourne International Animation Festival
    Melbourne
    Australia
    June 18, 2018
  • Electric Short Film + Music Fesstival
    alles-sous-Bois
    France
  • Brainwash Drive In Movie Festival
    Oakland
    United States
    July 20, 2018
  • Hudson New York Shorts
    Hudson
    United States
    July 21, 2018
  • Psychedelic Film and Music Festival
    New York
    United States
    October 1, 2018
  • Intermediacaionoes Muestra de videoarte y video experimental
    Antioquia
    Colombia
    October 5, 2018
  • Sedicicorto International Film Festival
    Forli
    Italy
    October 5, 2018
  • Post Shorts Festival
    Queensland
    Australia
    October 26, 2018
  • Crossing The Screen
    London
    United Kingdom
    October 18, 2018
  • Exground Filmfest 31
    Wiesbaden
    Germany
    November 16, 2018
  • North Bellariline Film Festival
    Victoria
    Australia
    November 18, 2018
  • The Psychedelic Film and Music Festival
    New York
    United States
    September 18, 2018
    Best Animation
  • Worldfest-Houston International Film Festival
    Houston
    United States
    Best Computer Generated / CGI / Mixed media / 3D
  • SENE Film and Music Festival
    Rhode Island
    United States
    April 24, 2018
    Best Experimental Music Video
  • SENE Film and Music festival
    Rhode Island
    United States
    April 24, 2018
    Audience Choice Award
Director Biography - Dean Winkler, Maureen Nappi, Donald S. Butler

Dean Winkler is a film/television engineer and video artist. An early adopter of analog video synthesizers, he’s built video editing hardware, post production facilities and immersive environments. He holds a United States patent on analog-to-digital conversion technology. Winkler has also collaborated on numerous video art projects including: “Tempest” (1980) with Vibeke Sorensen and Tom DeWitt; “Act III” (1983) with John Sanborn and Philip Glass; “Good Morning Mr. Orwell” (1984) with Nam June Paik; “Perfect Lives” (1984) with Robert Ashley; “Luminaire” (1986) with John Sanborn and Donald S. Butler; “Continuum” (1990) with Maureen Nappi, “Race Up Race Down” (2015) and others. In 2009 he founded WCI, which is “dedicated to the art and engineering of moving images.” WCI produced “Race Up Race Down” and “140 Characters.”

Dr. Maureen Nappi is an artist and educator who works in advanced technology creating still and moving imagery. Her work has been exhibited and published internationally at: MoMA; IBM Gallery of Science and Art; Whitney Museum of American Art; Franklin Institute Science Museum; Hiroshima Museum of Contemporary Art; London Film Festival; ISEA; and ACM/Siggraph Art Exhibitions. Nappi received her Ph.D. in Critical Studies from New York University as an American Association of University Women (AAUW) Doctoral Fellow. Dr. Nappi is the head of Media Studies and a professor of Media Studies + CGI at Long Island University in Brooklyn.

Donald S. Butler is a painter, computer animator and video artist. His career spans stage, screen and print. An early pioneer in the use of computer animation, he began his “Aloi” studies of robot animations in 1986. He has worked as a digital animator and digital compositor across the world including at Post Perfect in New York City and Industrial Light and Magic in California.

Add Director Biography
Director Statement

Our thesis is: What happened to the future we were promised? Why did we get Twitter instead of intelligent media that enhances society? Why are we developing silly apps instead of hardware? All enabled by our so-called “smart phones” which trap us like the prisoners in Plato’s cave – detached from reality and unaware.

We used that as a basis for creating abstract imagery, referencing everything from Aboriginal art to 1940s/1950s television to EDM /Rave visuals. Our goal being to take the viewer on a visual trip. Perhaps described as psychedelic, synthenisa, visual music – the point is to allow viewers to derive their own meaning as they travel through the flow of images.