140 Characters
“What happened to the future we were promised?"
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Dean WinklerDirectorDean Winkler is a film/television engineer and video artist. An early adopter of analog video synthesizers, he’s built video editing hardware, post production facilities and immersive environments. He holds a United States patent on analog-to-digital conversion technology. Winkler has also collaborated on numerous video art projects including: “Tempest” (1980) with Vibeke Sorensen and Tom DeWitt; “Act III” (1983) with John Sanborn and Philip Glass; “Good Morning Mr. Orwell” (1984) with Nam June Paik; “Perfect Lives” (1984) with Robert Ashley; “Luminaire” (1986) with John Sanborn and Donald S. Butler; “Continuum” (1990) with Maureen Nappi, “Race Up Race Down” (2015) and others. In 2009 he founded WCI, which is “dedicated to the art and engineering of moving images.” WCI produced “Race Up Race Down” and “140 Characters.”
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Maureen NappiDirectorDr. Maureen Nappi is an artist and educator who works in advanced technology creating still and moving imagery. Her work has been exhibited and published internationally at: MoMA; IBM Gallery of Science and Art; Whitney Museum of American Art; Franklin Institute Science Museum; Hiroshima Museum of Contemporary Art; London Film Festival; ISEA; and ACM/Siggraph Art Exhibitions. Nappi received her Ph.D. in Critical Studies from New York University as an American Association of University Women (AAUW) Doctoral Fellow. Dr. Nappi is the head of Media Studies and a professor of Media Studies + CGI at Long Island University in Brooklyn.
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Donald S. ButlerDirectorDonald S. Butler is a painter, computer animator and video artist. His career spans stage, screen and print. An early pioneer in the use of computer animation, he began his “Aloi” studies of robot animations in 1986. He has worked as a digital animator and digital compositor across the world including at Post Perfect in New York City and Industrial Light and Magic in California.
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WCIProducerwww.wci.nyc
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Project Type:Animation, Experimental, Music Video, Short
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Runtime:5 minutes 35 seconds
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Completion Date:April 20, 2017
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Production Budget:11,400 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:3,840 x 2,160 @ 29.97 FPS
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Woodstock Film FestivalWoodstock, NY
United States
October 11, 2017 -
Coney Island Film FestivalBrooklyn, NY
United States
September 9, 2017 -
SENE Film Music Arts FestivalProvidence, RI
United States
April 24, 2018
Audience Award & Jury Award - Best Music Video /Film -
Big Apple Film FestivalNew York, NY
United States
November 12, 2017 -
Video Art Festival MidenMiden
Greece
May 18, 2018 -
Underexposed Film FestivalRock Hill, SC
United States
May 9, 2018 -
World Animation FestivalLos Angeles, Ca
United States
September 30, 2017 -
Cinema On The Bayou FestivalLafayette, Lo
United States
January 24, 2018 -
Block Art Fim & Art FestivalLogan, Utah
United States
September 28, 2017 -
KAFFNY Infinte MediaNew York, NY
United States
October 14, 2017 -
Planet 9 Film FestivalChicago, Ill
United States
October 15, 2017
Finalist -
Look To The Future / PastLondon
United Kingdom
May 5, 2018 -
Supervova Digital Animation FestivalDenver, Co
United States
September 23, 2017 -
Obsessive Underground Film FestivalHamburg
Germany
July 23, 2017 -
Short + Sweet Film FestivalMelbourne
Australia
July 13, 2017 -
Warwick Summer FIlm FestivalWarwick, NY
United States
July 26, 2017 -
Melbourne International Animation FestivalMelbourne
Australia
June 18, 2018 -
Electric Short Film + Music Fesstivalalles-sous-Bois
France -
Brainwash Drive In Movie FestivalOakland
United States
July 20, 2018 -
Hudson New York ShortsHudson
United States
July 21, 2018 -
Psychedelic Film and Music FestivalNew York
United States
October 1, 2018 -
Intermediacaionoes Muestra de videoarte y video experimentalAntioquia
Colombia
October 5, 2018 -
Sedicicorto International Film FestivalForli
Italy
October 5, 2018 -
Post Shorts FestivalQueensland
Australia
October 26, 2018 -
Crossing The ScreenLondon
United Kingdom
October 18, 2018 -
Exground Filmfest 31Wiesbaden
Germany
November 16, 2018 -
North Bellariline Film FestivalVictoria
Australia
November 18, 2018 -
The Psychedelic Film and Music FestivalNew York
United States
September 18, 2018
Best Animation -
Worldfest-Houston International Film FestivalHouston
United States
Best Computer Generated / CGI / Mixed media / 3D -
SENE Film and Music FestivalRhode Island
United States
April 24, 2018
Best Experimental Music Video -
SENE Film and Music festivalRhode Island
United States
April 24, 2018
Audience Choice Award
Dean Winkler is a film/television engineer and video artist. An early adopter of analog video synthesizers, he’s built video editing hardware, post production facilities and immersive environments. He holds a United States patent on analog-to-digital conversion technology. Winkler has also collaborated on numerous video art projects including: “Tempest” (1980) with Vibeke Sorensen and Tom DeWitt; “Act III” (1983) with John Sanborn and Philip Glass; “Good Morning Mr. Orwell” (1984) with Nam June Paik; “Perfect Lives” (1984) with Robert Ashley; “Luminaire” (1986) with John Sanborn and Donald S. Butler; “Continuum” (1990) with Maureen Nappi, “Race Up Race Down” (2015) and others. In 2009 he founded WCI, which is “dedicated to the art and engineering of moving images.” WCI produced “Race Up Race Down” and “140 Characters.”
Dr. Maureen Nappi is an artist and educator who works in advanced technology creating still and moving imagery. Her work has been exhibited and published internationally at: MoMA; IBM Gallery of Science and Art; Whitney Museum of American Art; Franklin Institute Science Museum; Hiroshima Museum of Contemporary Art; London Film Festival; ISEA; and ACM/Siggraph Art Exhibitions. Nappi received her Ph.D. in Critical Studies from New York University as an American Association of University Women (AAUW) Doctoral Fellow. Dr. Nappi is the head of Media Studies and a professor of Media Studies + CGI at Long Island University in Brooklyn.
Donald S. Butler is a painter, computer animator and video artist. His career spans stage, screen and print. An early pioneer in the use of computer animation, he began his “Aloi” studies of robot animations in 1986. He has worked as a digital animator and digital compositor across the world including at Post Perfect in New York City and Industrial Light and Magic in California.
Our thesis is: What happened to the future we were promised? Why did we get Twitter instead of intelligent media that enhances society? Why are we developing silly apps instead of hardware? All enabled by our so-called “smart phones” which trap us like the prisoners in Plato’s cave – detached from reality and unaware.
We used that as a basis for creating abstract imagery, referencing everything from Aboriginal art to 1940s/1950s television to EDM /Rave visuals. Our goal being to take the viewer on a visual trip. Perhaps described as psychedelic, synthenisa, visual music – the point is to allow viewers to derive their own meaning as they travel through the flow of images.