NOMOFOBIA (2018)
An afternoon like many others in the provinces of Tuscany, central Italy, has an unexpected twist when a mother decides to confiscate her teenager daughter’s
telephone.
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Ado HasanovicDirector
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Elisa BondavalliWriter
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Ado HasanovicProducerproducer
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Elisa BondavalliProducerco-producer
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Fabrizio IottiProducerco-producer
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Nema Problema OnlusProducerco-producer
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LISA GRANUZZA DI VITAKey Cast"Jesica"
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TIZIANA BAGATELLAKey Cast"Marija"
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Project Title (Original Language):Nomofobia
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Project Type:Short
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Runtime:14 minutes 43 seconds
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Completion Date:August 7, 2018
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Production Budget:7,000 EUR
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Country of Origin:Bosnia and Herzegovina
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Country of Filming:Italy
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Language:Italian
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Shooting Format:ALEXA Mini 2K
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Roma International Film Festival RIFFRome
Italy
November 17, 2018
World
Official Selection -
Festival del cortometraggio Mediterraneo - Passaggi d’Autore: Intrecci MediterraneiSant'Antioco
Italy
December 9, 2018
Official Selection -
Vesuvius Film FestivalCaserta
Italy
December 21, 2018
Official Selection -
Reggio Calabria Film FestReggio Calabria
Italy
March 28, 2019
Official Selection -
Pordenone International Film FestivalPordenone
Italy
March 30, 2019
BEST FILM - FUTURE GENERATION AWARD -
Bosnian-Herzegovinian Film FestNew York
United States
April 13, 2019
North American Premiere
GOLDEN APPLE JURY AWARD - BEST SHORT FILM -
Brussels Short Film FestivalBruxelles
Belgium
May 2, 2019
Official Selection - Official Selection - Oscar Qualifying Film Festival -
BUZZ International Film FestivalBuzau
Romania
July 9, 2019 -
Corto FictionChianciano Terme
Italy
August 23, 2019
SOCIAL AWARD FOR BEST SHORT FILM AND SPECIAL MENTION TO THE ACTRESSES TIZIANA BAGATELLA AND LISA GRANUZZA DI VITA -
Sarajevo Film FestivalSarajevo
Bosnia and Herzegovina
August 17, 2019
Official Selection - Oscar Qualifying Film Festival -
Omladinski Film FestivalSarajevo
Bosnia and Herzegovina
September 7, 2019
Official Selection -
Jahorina Film FestivalPale
Bosnia and Herzegovina
September 28, 2019
GOLDEN MAPLE FOR BEST SHORT FILM -
MikroFAF - International festival of DIY and independent short filmBelgrade
Serbia
October 11, 2019
Official Selection
Ado Hasanović (Born in Srebrenica in 1986) is a Rome-based film director. Between 2008 and 2011 he served as the Creative Director of the Srebrenica Short Film Festival. He studied directing at the Sarajevo Film Academy, graduating in 2013. In 2015, he began working for the Mediterranean Short Film Festival, where he served as Art Director. In July 2017 Ado finished the prestige National Film School “Centro Sperimentale di Cinematografia” in Rome, Italy. His short films Angel of Srebrenica, Blue Viking in Sarajevo, Mama, Breath of Life Srebrenica, and Nomophobia, have been shown at international film festivals and have won various awards.
Nomofobia was inspired by a real fact that took place in 2015 in Italy, when a 17 years old girl murdered her mother because she had taken her telephone away and prohibited to use the computer.
“Nomofobia” is a neologism born out of the English crasis between the words “no-mobile phobia”, which literally defines the fear of not having the telephone by your side.
It might sound like a very remote disorder, but what people may ignore is that 53% of the British population are already affected by this disease.
The film is shot in a one long-take. To give a more realistic and spontaneous touch to
the story I used a hand camera to follow closely my two characters in their space. In particular, there is a moment that distinguishes itself from all the others for its ambition and complexity: for these reasons I decided to turn to small, light and easily handleable equipment. Close-ups and medium close-ups are the mainly used frames, in order to capture mother and daughter conflicting emotions. Cinematography embraces cold tones to underline the empty and dry relationship between the women and the daughter’s impersonal and virtual life. It is my intention to show these human characters for what they actually are, in both their dramatic and absurd faces: my glance will not be the one of a judge, rather a very empathic one.