The Fall of the I-Hotel

The Manilatown Heritage Foundation presents a new restoration of the iconic 1983 documentary, "The Fall of the I-Hotel". This film has been lovingly re-scanned from a pristine 16mm print and digitized at 2K under the supervision of filmmaker Curtis Choy.

After a decade of spirited resistance to the razing of Manilatown, the battle for housing in San Francisco ends in the brutal eviction of the elderly tenants of the International Hotel. "The Fall of the I-Hotel" serves as the witness to the community's fight to survive, and as a tribute to the dignity and strength of the “Manongs”, or elderly tenants of the hotel. Viewed continuously by students of Asian American Studies since its original release in 1983, "The Fall of the I-Hotel" not only documents the struggle to save the I-Hotel, it also provides an overview of Filipino American history. This is not just a story about old men in an old building, but of multiple tragedies: ethnic communities redeveloped out of existence, housing gobbled up by realtors, the shabby treatment of the elderly, and the betrayal of American ideals learned in the Philippines by its American pioneers.

This is a restored and optimized version of the iconic "The Fall of the I-Hotel" documentary by Curtis Choy about a historic event that continues to be important to the San Francisco Bay Area and the Asian Pacific Islander communities. The Manilatown Heritage Foundation, which maintains the legacy of the I-Hotel and Historic Manilatown at San Francisco’s International Hotel Manilatown Center, restored the 16mm print in collaboration with the UCLA Asian American Studies Archive. Restoration, optimization and a 2K digitization of the most pristine 16mm copy of the film was completed by FotoKem so that the best possible format could be preserved and viewed by the public.

  • Curtis Choy
    Director
  • Curtis Choy
    Writer
  • Curtis Choy
    Producer
  • Al Robles
    Interviewers
  • Chris Chow
    Interviewers
  • Norman Jayo
    Interviewers
  • Emiko Omori
    Interviewers
  • Nancy Wong
    Interviewers
  • Emiko Omori
    Cinematography
  • Curtis Choy
    Cinematography
  • Stan Abe
    Cinematography
  • Chris Chow
    Cinematography
  • Mahlon Picht
    Cinematography
  • Calvin Roberts
    Cinematography
  • Larry Sulkas
    Cinematography
  • Tony Zapata
    Cinematography
  • Curtis Choy
    Sound
  • Myron Chan
    Sound
  • Chris Chow
    Sound
  • Glen Hayashi
    Sound
  • Emiko Omori
    Sound
  • Third World News Bureau
    Sound
  • Sara Chin
    Sound
  • Bob Hsiang
    Sound
  • Marsha Emerman
    Assistant Editing
  • Robert Yano
    Assistant Editing
  • Jim Watson
    Assistant Editing
  • Leslie Lombre
    Assistant Editing
  • Rulan Tom
    Assistant Editing
  • Emiko Omori
    Associate Editors
  • Chris Chow
    Associate Editors
  • Dan Gonzales
    Additional Research
  • Laura Ide
    Transcriptions
  • Virginia Jew
    Transcriptions
  • Jane Gorai
    Transcriptions
  • Glen Park
    Transcriptions
  • Meehar Tom
    Transcriptions
  • Rulan Tom
    Transcriptions
  • Sayo Fujioka
    Transcriptions
  • Richard Wada
    Transcriptions
  • Christopher Chow
    Associate Produces
  • Emiko Omori
    Associate Produces
  • Deborah Gee
    Production Assistants
  • Tim Sasaki
    Production Assistants
  • Frank Alarcon
    Still Photos
  • Margaret Muyco
    Still Photos
  • Fred & Caroline Ubungan
    Still Photos
  • Victoria Alba
    Still Photos
  • Russell Lowe
    Still Photos
  • Kearny Street Workshop
    Still Photos
  • San Francisco Kulintang Ensemble
    Music
  • Tino's Barbershop Quartet
    Music
  • Fred De Los Reyes
    Music
  • Mark Izu
    Music
  • Cora Delfine and Santos Beloy
    Music
  • Stephen Balliet
    Sound Mix
  • The Sound Service
    Sound Mix
  • Armando Navarro
    Negative Matching
  • Zand Gee
    Title Design
  • Interformat
    Titles and Opticals
  • Caroline Julia Cabading
    Restoration Executive Producer
  • Victor Diaz Zapanta
    Restoration Executive Producer
  • Project Type:
    Documentary, Feature
  • Genres:
    documentary, social justice, housing, gentrification
  • Runtime:
    60 minutes
  • Completion Date:
    September 1, 1983
  • Production Budget:
    19,266 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English, Tagalog
  • Shooting Format:
    16mm
  • Aspect Ratio:
    1.33:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Atlanta Film Festival
    Atlanta, GA
    United States
    April 20, 1985
    First Prize
  • Palo Alto Film Festival
    Palo Alto, CA
    United States
    April 18, 1985
    First Prize
  • National Housing Festival

    First Prize
  • Big Muddy Film Festival
    Carbondale, IL
    United States
    February 1, 1985
    Best of Fest
  • San Francisco International Film Festival
    San Francisco, CA
    United States
    April 13, 1985
    Honorable Mention
Distribution Information
  • Manilatown Heritage Foundation
    Distributor
    Country: Worldwide
    Rights: All Rights
Director Biography - Curtis Choy

Curtis Choy, An independent producer and film worker since the early '70s, he has contributed to numerous independent and PBS documentaries, commercials, and feature films as a production sound mixer. He is the director of "Dupont Guy: The Schiz of Grant Avenue", "The Fall of The I-Hotel" and "What's Wrong with FrankvChin". His sound recording can be heard on "The Joy Luck Club", "Better Luck Tomorrow", and Academy Award winner "Breathing Lessons". He was previously exploited as a camera and editing technician, newsfilm cameraman, camera assistant, and boom operator. From the frozen Arctic ("The Infinite Voyage") to the blistering Gobi ("The Silk Road") to young government gunpunks in Guatemala ("The Gospel and Guatemala"), he's totally fed up with flying Coach class.

Add Director Biography