The Fall of the I-Hotel
The Manilatown Heritage Foundation presents a new restoration of the iconic 1983 documentary, "The Fall of the I-Hotel". This film has been lovingly re-scanned from a pristine 16mm print and digitized at 2K under the supervision of filmmaker Curtis Choy.
After a decade of spirited resistance to the razing of Manilatown, the battle for housing in San Francisco ends in the brutal eviction of the elderly tenants of the International Hotel. "The Fall of the I-Hotel" serves as the witness to the community's fight to survive, and as a tribute to the dignity and strength of the “Manongs”, or elderly tenants of the hotel. Viewed continuously by students of Asian American Studies since its original release in 1983, "The Fall of the I-Hotel" not only documents the struggle to save the I-Hotel, it also provides an overview of Filipino American history. This is not just a story about old men in an old building, but of multiple tragedies: ethnic communities redeveloped out of existence, housing gobbled up by realtors, the shabby treatment of the elderly, and the betrayal of American ideals learned in the Philippines by its American pioneers.
This is a restored and optimized version of the iconic "The Fall of the I-Hotel" documentary by Curtis Choy about a historic event that continues to be important to the San Francisco Bay Area and the Asian Pacific Islander communities. The Manilatown Heritage Foundation, which maintains the legacy of the I-Hotel and Historic Manilatown at San Francisco’s International Hotel Manilatown Center, restored the 16mm print in collaboration with the UCLA Asian American Studies Archive. Restoration, optimization and a 2K digitization of the most pristine 16mm copy of the film was completed by FotoKem so that the best possible format could be preserved and viewed by the public.
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Curtis ChoyDirector
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Curtis ChoyWriter
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Curtis ChoyProducer
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Al RoblesInterviewers
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Chris ChowInterviewers
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Norman JayoInterviewers
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Emiko OmoriInterviewers
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Nancy WongInterviewers
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Emiko OmoriCinematography
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Curtis ChoyCinematography
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Stan AbeCinematography
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Chris ChowCinematography
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Mahlon PichtCinematography
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Calvin RobertsCinematography
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Larry SulkasCinematography
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Tony ZapataCinematography
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Curtis ChoySound
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Myron ChanSound
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Chris ChowSound
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Glen HayashiSound
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Emiko OmoriSound
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Third World News BureauSound
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Sara ChinSound
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Bob HsiangSound
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Marsha EmermanAssistant Editing
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Robert YanoAssistant Editing
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Jim WatsonAssistant Editing
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Leslie LombreAssistant Editing
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Rulan TomAssistant Editing
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Emiko OmoriAssociate Editors
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Chris ChowAssociate Editors
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Dan GonzalesAdditional Research
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Laura IdeTranscriptions
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Virginia JewTranscriptions
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Jane GoraiTranscriptions
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Glen ParkTranscriptions
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Meehar TomTranscriptions
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Rulan TomTranscriptions
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Sayo FujiokaTranscriptions
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Richard WadaTranscriptions
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Christopher ChowAssociate Produces
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Emiko OmoriAssociate Produces
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Deborah GeeProduction Assistants
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Tim SasakiProduction Assistants
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Frank AlarconStill Photos
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Margaret MuycoStill Photos
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Fred & Caroline UbunganStill Photos
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Victoria AlbaStill Photos
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Russell LoweStill Photos
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Kearny Street WorkshopStill Photos
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San Francisco Kulintang EnsembleMusic
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Tino's Barbershop QuartetMusic
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Fred De Los ReyesMusic
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Mark IzuMusic
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Cora Delfine and Santos BeloyMusic
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Stephen BallietSound Mix
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The Sound ServiceSound Mix
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Armando NavarroNegative Matching
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Zand GeeTitle Design
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InterformatTitles and Opticals
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Caroline Julia CabadingRestoration Executive Producer
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Victor Diaz ZapantaRestoration Executive Producer
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Project Type:Documentary, Feature
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Genres:documentary, social justice, housing, gentrification
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Runtime:60 minutes
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Completion Date:September 1, 1983
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Production Budget:19,266 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English, Tagalog
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Shooting Format:16mm
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Aspect Ratio:1.33:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Atlanta Film FestivalAtlanta, GA
United States
April 20, 1985
First Prize -
Palo Alto Film FestivalPalo Alto, CA
United States
April 18, 1985
First Prize -
National Housing Festival
First Prize -
Big Muddy Film FestivalCarbondale, IL
United States
February 1, 1985
Best of Fest -
San Francisco International Film FestivalSan Francisco, CA
United States
April 13, 1985
Honorable Mention
Distribution Information
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Manilatown Heritage FoundationDistributorCountry: WorldwideRights: All Rights
Curtis Choy, An independent producer and film worker since the early '70s, he has contributed to numerous independent and PBS documentaries, commercials, and feature films as a production sound mixer. He is the director of "Dupont Guy: The Schiz of Grant Avenue", "The Fall of The I-Hotel" and "What's Wrong with FrankvChin". His sound recording can be heard on "The Joy Luck Club", "Better Luck Tomorrow", and Academy Award winner "Breathing Lessons". He was previously exploited as a camera and editing technician, newsfilm cameraman, camera assistant, and boom operator. From the frozen Arctic ("The Infinite Voyage") to the blistering Gobi ("The Silk Road") to young government gunpunks in Guatemala ("The Gospel and Guatemala"), he's totally fed up with flying Coach class.