Private Project

Wisdom Gone Wild

In this immersive meditation on elder consciousness and the act of caregiving a parent with dementia, filmmaker Rea Tajiri centers her mother’s storytelling wisdom as the dream fabric for this film. Rose’s renditions of popular songs of her era provide the soundtrack for time travel as we witness her evolution across nine decades of living. A delicate weave between past and present, parenting and being parented, the reliability of memory and the desire to reinvent one's own life when you can't remember - are reflected upon in this tender and humorous film about aging, loss, mortality and transformation.

  • Rea Tajiri
    Director
    Strawberry Fields, Wataridori: birdsofpassage; Passion for Justice: Yuri Kochiyama; History and Memory; Little Murders
  • Rea Tajiri
    Writer
    See above
  • Rea Tajiri
    Producer
    see above
  • Sian Evans
    Producer
    Marie Colvin (Barbara Kopple's Bearing Witness), Mollie Bingham (for Barbara Kopple) Lordville, Director Rea Tajiri; Secrets of the Sun, Compass Light Productions; Li River comorants, Compass Light Productions
  • Catherine Hollander
    Editor
    The Great Perfection, Lordville, When the Iron Bird Flies, Tailenders, Politics of Fur
  • Reiko Tahara
    Associate Producer
    Emmoyin
  • Shakuru Tajiri
    Original Music Composed by
  • Dru Mungai
    Cinematography By
  • Christian Bruno
    Cinematography By
  • Sherri Kauk
    Cinematography By
    LOEV, Insecure, The Big Leap
  • Ann Kaneko
    Cinematography By
    Manzanar Diverted
  • Project Type:
    Documentary, Experimental, Feature, Other
  • Genres:
    Immersive, Experiential, Hybrid, Aging, Buddhism, Dementia, Caregiving, Disability Justice
  • Runtime:
    1 hour 24 minutes
  • Completion Date:
    May 16, 2022
  • Production Budget:
    200,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    HD Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • World Premiere, Blackstar Film Festival
    Philadelphia
    United States
    August 6, 2022
    World Premiere
    WINNER Audience Award, WINNER Jury Award, Honorable MentionBest Feature Documentary/ Honorable Mention, Best Feature Documentary
  • San Diego Asian Film Festival
    San Diego
    United States
    November 6, 2022
    California Premiere
    WINNER Grand Jury Prize
  • DOC NYC
    New York
    United States
    November 11, 2022
    New York Premiere
    American Lives Section
  • Philadelphia Asian Film Festival
    Philadelphia
    United States
    November 5, 2022
    Philadelphia Premiere
    WINNER: Audience Choice, Documentary; WINNER Best Documentary Feature, Jury Award
  • IDFA (International Documentary Film Fest Amsterdam)
    Amsterdam
    Netherlands
    November 14, 2022
    International Premiere
    International Competition
  • Slamdance
    Park City Utah
    United States
    January 23, 2023
    Utah Premiere
    Unstoppable, Competition
Director Biography - Rea Tajiri

REA TAJIRI is a filmmaker and visual artist who earned her BFA and MFA degree from the California Institute of the Arts in post-studio art. In 2021, Tajiri was awarded the The Leeway Transformation Award and an Independence Media Fund grant for her filmmaking. Her debut feature Strawberry Fields, and groundbreaking short History and Memory, will be featured on the Criterion Channel in May 2022 as part of Sentient Art Films program: My Sight is Lined with Visions. Wisdom Gone Wild, Tajiri's latest documentary feature, received funding through the ITVS Diversity Development Fund, Center for Asian American Media, and a Pew Fellowship in the Arts. The film presents a new look at dementia and caregiving; rather than a portrait of loss, dementia is seen as a wisdom that has “gone wild.”
Tajiri was one of six artists commissioned to create a public art piece for the 25th Anniversary Project of the Asian Arts Initiative funded by a Pew Projects Grant. The exhibition was entitled (ex)Change: Place, History, Presence. Tajiri’s piece, Wataridori: Birds of Passage, linked four sites in West Philadelphia to the Philadelphia Hostel, a temporary home for Japanese Americans who were resettled by the U.S. Government after being incarcerated in U.S. Concentration Camps during World War II.

Tajiri has given Master Classes on documentary filmmaking at Claremont College, UC Irvine Graduate Seminar, School of the Art Institute of Chicago, University of Colorado, Boulder and Scribe Video Center, Philadelphia. She has taught classes in Hybrid-Narrative, Documentary Production, Dramatic-Short Narrative Filmmaking and Editing Strategies at Temple University where she is an Associate Professor in Film Media Arts.

In 2014, Tajiri completed a feature-length documentary, Lordville, which premiered at CAAMFest 2014 at the Pacific Film Archives and was nominated for a Grand Jury Prize at the VC Fest 2014. In this new work, Tajiri explores the ways in which landscape, memory and history reverberate in a small New York town on the Delaware River. In 2012, Tajiri was invited to present Lordville as a work-in-progress at Smith College’s Women and Social Justice Documentary Symposium with co- panelists with Su Friedrich and Barbara Hammer. Lordville was reviewed in Hyperallergic https://hyperallergic.com/451443/after-life-what-remains-alice-gallery/

Tajiri’s debut feature film Strawberry Fields received funding from ITVS Open Call and had its European premiere at the 54th Venice Film Festival (La Biennale di Venezia).

Strawberry Fields won the Grand Prix at the Fukuoka Film Festival in Japan. The film has screened in 20 other festivals including the Seattle International Film Festival, the
L.A. Independent Film Festival, and the Santa Barbara International Film Festival. It was invited to screen at the Rotterdam Market, as a work-in-progress through the IFP No Borders program. Strawberry Fields was produced by Joana Vicente and Jason Kliot of Open City Films.

Tajiri’s earlier works include History and Memory, which premiered at the Whitney Biennial and went on to receive the Distinguished Achievement Award from the International Documentary Association; a Special Jury Award: New Genres from the San Francisco International Film Festival; and Best Experimental Film from the Atlanta Film Festival. It also screened at the Yamagata International Documentary Festival, the Hawaii International Film Festival. The film was licensed for the Washington State K-12 educational curriculum.

Tajiri is a co-director and producer of a film on the life of Harlem human-rights activist Yuri Kochiyama entitled: Passion for Justice, which premiered at the Asia Society in New York and screened on Free Speech TV. Passion for Justice was screened in four commemorations of the life of Yuri Kochiayma in 2014-2015 and part of the centennial screenings for Yuri and MalcolmX’s birthdays in 2021 that took place across the country.

Tajiri’s video art work has been included in the 1989, 1991, and 1993 Whitney Biennial and other venues including the Viper Video Festival, the Human Rights Watch Festival, the New Museum of Contemporary Art, and the Guggenheim Museum. Tajiri is a two- time recipient of the Rockefeller Media Fellowship, two NEA Visual Arts Fellowships and two New York Foundation for the Arts Fellowships, as well as numerous grants from the New York State Council for the Arts. She has been awarded artist residencies from Banff, Fogo Island Arts, the MacDowell Colony and Smack Mellon.

Currently, she is an Associate Professor in the Film Media Arts Department at Temple University where she teaches documentary production.

Add Director Biography
Director Statement

Wisdom Gone Wild tells the remarkable story of Rose Tajiri, a Nisei woman who at the end of her life, following the onset of dementia, reinvents herself through her interactions with her daughter and care partner, bestowing a new name and identity on herself, altering her past along with her present.

Our film is unusual in its ability to cross over -- it is not a sentimental family film, nor is it a trauma film about old age and dying. It is radically intimate, funny, and at the same time does not shy away from being painfully honest about living with dementia. The full range of emotions are explored here and many have called it a 'brave and uplifting' film. It presents a buddhist approach to the topic of aging and mortality. Formally, it is an archival and art film that makes deep connections to younger as well as older audiences.

The archive is drawn from my father's kodachrome slides taken of the family as we were growing up. (My father, Vince Tajiri, was the former Playboy photo editor in the 1950's-1960's). It also features his large format Black and White portraits of family from the 1940's. The film includes my discovery of a first generation Japanese farming community from the 1930’s in Salinas, California; family photos featuring my mother who picked strawberries. Interspersed are my own film diaries from 1989- where I interview my mother and then hand over the camera for her to interview me. Connecting these images are scenes from the 'present,' my mother and I in her assisted living where she time travels. What emerges is a review of nine decades of the life of an ordinary woman and her social/political context- living through the US Japanese American concentration camps and resettling into post war life in Chicago with my father, later moving with the family to settle back in California.

Other elements include a magical realist Beauty Shop set to honor my mother's career as a beautician. Working with production designers David Wasco and Sandy Reynolds, whose career includes working with Quentin Tarantinio and Wes Anderson. They transformed the beauty parlor in my mother's assisted living into a night garden. When we surprised her with this room- she spontaneously burst into song.

The film offers a different story about aging, and about living with dementia, rather than centering a disease, the film centers her perspective, in its form and its content, telling the story of a life to be valued, rather than a problem to be willed away. While the urgency around dementia is real, a societal shift in how we view it is necessary—one that honors subjective experience, cultural difference, inclusivity, and personhood. What is often reflected in the public dialogues of dementia is the devaluing of age and a dismissal of the knowledge we can gain from interacting with someone who has lived a long life, one whose experiences may now be shared through a different lens and perhaps a new language, a wisdom gone wild.
What I hope for is to draw audiences to the possibilities of connection and intimacy with loved ones who live with dementia. With this intimate portrayal, I hope to normalize witnessing and listening to elders, and to value their stories, their wisdom and their lived experience.