Squall
A newly recovering addict's daylong journey to reconnect with his younger brother leads them both into an unexpected storm.
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Emmi ShockleyDirectorJ-1, Ping Pong Summer, Throuple
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Emmi ShockleyWriterJ-1, Ping Pong Summer, Throuple
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James KelleyProducerCreedmoria, King Cobra
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Emmi ShockleyProducerJ-1, Ping Pong Summer, Throuple
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Greyson HorstProducerThrouple, The Bugs and the Slugs
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James KelleyKey Cast"Louie"Creedmoria, King Cobra
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Jack MessinaKey Cast"Jack"Manifest, The Marvelous Mrs. Maisel, Over/Under
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Julian Thomas AlvarezDirector of PhotographyJ-1, Throuple, Technoscrap, Elliotland
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Project Type:Short
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Runtime:14 minutes 48 seconds
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Completion Date:January 4, 2023
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Production Budget:10,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:1:85:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Austin Film FestivalAustin, Texas
United States
November 2, 2023
Texas Premiere
Official Selection
Emmi Shockley is a filmmaker and actor originally from Ocean City, Maryland. She entered the independent film world during her teenage years when she was cast in Michael Tully's 2014 Sundance feature, Ping Pong Summer. She graduated from New York University Tisch School of the Arts with a BFA in Film and Television Production in 2019. She has written, directed, and produced two award-winning short films, J-1 and Don't Be a Baby. By the age of twenty-four, Emmi was a producer on her first feature film project: a queer romantic comedy called Throuple (post-production). She is based in New York City.
When James first brought me this idea for this project, I was immediately drawn to his central idea of these two brothers. As a female filmmaker taking on a story with only male characters, I got deeply invested in an exploration of masculinity and stoicism, and the way that people navigate difficult relationship conflicts when they've been conditioned to withhold their emotions. There is an innate toughness to both Jack and Louie, despite an age difference that spans over a decade. I knew it was important to portray that.
Throughout my process of writing and directing this project, I repeated one phrase to myself, and to the actors: "People say some of the most interesting things when they can't say what they mean." That felt like a core truth within this story to me.
I was also drawn to the story's theme of forgiveness. I knew that this films exploration and portrayal of forgiveness needed to be treated with care. I wanted to give a glimpse into the complexity of forgiveness, and in the case of this story, when forgiveness has stopped feeling warranted.