Rye and Rhetoric
After their relationship has gone as far as it can, Mary begins to pack her former lover’s things. Like so many times before, Jack’s problems take center stage, leaving Mary to coach him through his feelings one last time.
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Taylor BinghamWriter
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Cameron StableinWriter
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Michael HaleyWriter
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Tyler BruettWriter
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Taylor BinghamExecutive Producer
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Cameron StableinExecutive Producer
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Michael HaleyExecutive Producer
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Taylor BinghamDirector
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Tyler BruettAssociate Producer
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Michele FarbmanKey Cast"Mary"
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Guy VentoliereKey Cast"Jack"
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Taylor BinghamEditor
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Cameron StableinEditor
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Sara AbbassiCamera and Electrical
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Zach CooperCamera and Electrical
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Michael James HaleyCamera and Electrical
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David Scott ClarkSound
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Britt Michael GordonSpecial Thanks
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Project Type:Short
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Genres:Drama, Short
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Runtime:11 minutes
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Completion Date:April 13, 2021
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Production Budget:2,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Chicago Indie Film AwardsChicago, Illinois
United States
Official Selection -
Vegas ShortsLas Vegas, Nevada
United States
Official Selection -
Vancouver Independent Film FestivalVancouver, British Columbia
Canada
Finalist -
Toronto Independent Festival of CIFTToronto, Ontario
Canada
Finalist
Taylor A. Bingham (Georgia, b.1991) received a BFA in Graphic Design and a Minor in Photography in the fall of 2013 from the Savannah College of Art and Design, Savannah, GA.
After college, he interned and then managed Steam Print, a screen printing company in Savannah, GA. By the end of 2014, his focus shifted to digital production when he began working for Creative Approach, located in Savannah, GA.
From 2016 to 2018, he began painting. His work became defined by monochromatic palettes with more complex mark-making. He exhibited in the SIPS 16 (Student International Print Show) at the Faculty of Fine Arts – El Minia University, Egypt, and the Hurricane Harvey Fundraiser Artist Auction at Art.Work Austin, located in downtown Austin, Texas.
In 2018, his work shifted towards producing collaborative experiences. His first being Medium Small // Future Forward, focused on helping artists to build a strong business network, and the second being Hello, World!, a group exhibition with the Vurv Collective. Mid-2018 denoted an ongoing presence painting live and exhibiting at Cherry Cola Dog, a gallery concept in Austin, TX that offered artists a platform to be more immersed in the community viewing and purchasing their work.
At the start of 2019, he moved to New York City and enrolled in an Artist Residency Program at The Greenpoint Gallery. Here he began developing a new body of work and exploring the curation process at a deeper level. During this time, he also began working in the film industry. By the end of 2019, he had assisted directors on multiple short films, acted in commercials, and developed his scripts for production.
In 2020, he produced Rye and Rhetoric, a short film about a deteriorating relationship, expected to be released in the short film circuit in 2021. He also partnered in a publishing endeavor entitled Lost Fox Publishing.
While living in a gallery in Brooklyn, NY, I experienced narcissism on an entirely new level. One of the last of its kind, the space housed several artists, all with their personalities clashing against the owner's will, and as my time there came to a close, I became inspired to write a short about the self-absorbed owner.
The original script evolved from a story about two artists engaging in one-sided dialogue to a story about a woman who had grown tired of caring for a self-entitled man. I wanted to explore a character who lacked emotional intelligence but was completely unaware. Women often shoulder the burden of emotional strain when in this type of relationship. I took my own experiences of watching people endure emotional abuse under the guise of an artist community and channeled a fraction of their frustrations into a story that revolves around a dying relationship, a relationship that showcases generational decay.
We knew our budget was low, so we went all-in on a gritty aesthetic that allowed imperfections to help tell the story. Working with the crew was humbling, and with their ingenuity, we were able to create a film in a challenging space with minimal resources. With every viewing, I grow more thankful, and I'm beyond impressed with what we achieved. I hope our story conveys a sense of nostalgia and bittersweet relief for those who view it. We've all had to let go of someone at some point.