Private Project

PLANTASMA

EMILY, an up-and-coming musical artist, stuck in quarantine with no way to make a living, struggles with maintaining her sanity while dealing with the loss of her best friend, the lingering effects of a breakup, and the current state of the world. She attempts to center herself by meditating and practicing various self-care routines but ultimately her reality starts to blur as she becomes possessed by a demonic, carnivorous plant.

  • Jacob Cohen
    Director
  • Jacob Cohen
    Writer
  • Jacob Cohen
    Producer
  • Kyla Adams
    Producer
  • Ethan Ryman
    Producer
  • Vanessa Cuccia
    Key Cast
    "Emily"
    Chakrubs
  • Terence Krey
    Key Cast
    "Brandon"
    Distress Signals, An Unquiet Grave
  • Jacob A. Ware
    Key Cast
    "Jeff"
    An Unquiet Grave, Boardwalk Empire
  • Christine Nyland
    Key Cast
    "Katie"
    An Unquiet Grave, Distress Signals
  • Pamela Mitchell
    Key Cast
    "Jane"
    1883, Perry Mason
  • Madeline Grey DeFreece
    Key Cast
    "Anna"
    Tahara, Love Life
  • Eric Striffler
    Key Cast
    "Mike"
    Pretty Much It
  • MOTHERMARY
    Key Cast
    "The Voodoo Twins"
    MOTHERMARY
  • Project Type:
    Feature
  • Genres:
    Horror, Drama, Sci-Fi, Fantasy, Cult
  • Runtime:
    1 hour 16 minutes 44 seconds
  • Completion Date:
    November 1, 2022
  • Production Budget:
    30,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    1.37:1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Jacob Cohen

Jacob is a Brooklyn-based writer/director who strives to tell bold and unconventional character-driven stories with a flair for the grotesque and absurd.

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Director Statement

PLANTASMA is a deeply personal, character-driven indie, germinating within a fantastical horror film. Emily’s journey begins as a whispery song of isolation and ends as a thunderous crescendo of madness. As her story careens towards her unraveling, we follow her every step of the way. Close to her, following her every movement. Relying heavily on handheld, the film will hover like an ever-present spectre that Emily feels but cannot see. The world of the film starts as typically mundane and, as Emily’s consciousness expands and is reflected by her physical surroundings, becomes more vibrant and psychedelic. At night, harsh reds and fluorescent whites illuminate her face, suggesting the impact of the anxiety-inducing media that she consumes. The yellow and orange glow of direct sunlight pours into her apartment during the daytime. As Emily surrounds herself with an abundance of plant life, vivid greens and purples become central to the film’s increasingly vibrant color palette. Vintage lens choices will create a hazier, softer look inside Emily’s apartment-turned-jungle, reminiscent of a dream that doesn’t exactly feel right. PLANTASMA is an unnerving projection of the film’s director and his contemporaries, who have been uniquely challenged by this peculiar moment in history. It’s a story that exposes the fragility of our connections, forcing us to examine the fine line between self-sufficiency and self-destruction.