On The Surface
4mn animation about a young Black woman who goes swimming in the Icelandic sea and reflects on her experience of raising a child in a country that feels nothing like home. As she enters the freezing water, she relives her traumatic pregnancy and postnatal depression. Soon her swimming eases. Being in the wild and facing her fears is helping her heal.
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Fan SissokoDirectorWe The People
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Fan SissokoWriterWe The People
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Enid MbabaziKey Cast"Ada"
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Tariqh Akoni / Red Wagon MusicMusic
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Arnar GuðjonssonSound recording
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Hafdis BjarnadóttirSound recording
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Project Type:Animation
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Runtime:3 minutes 56 seconds
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Completion Date:April 15, 2021
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Production Budget:5,000 USD
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Country of Origin:Iceland
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Language:English
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Clermont Ferrand ISFFClermont Ferrand
France
January 30, 2022
France
Official Selection -
Art With ImpactOnline
United States
June 21, 2021
Premiere
Official Selection -
Fringe of ColourEdinburgh (Online)
United Kingdom
August 1, 2021
Official Selection -
Encounters Film FestivalBristol
United Kingdom
September 1, 2021
Official Selection -
Mom Film Festival
United States
August 20, 2021
Official Selection -
Ottawa International Animation FestivalOttawa
Canada
September 22, 2021
Official Selection -
Festival of Animation BerlinBerlin
Germany
October 1, 2021
Official Selection -
Margate Film FestivalMargate
United Kingdom
October 27, 2021
Official Selection -
Rex Animation FestivalStockholm
Sweden
October 29, 2021
Official Selection -
Our Heritage, Our Planet Film FestivalOnline
United States
October 12, 2021
Heartwired Award -
London Migration Film FestivalLondon
United Kingdom
November 25, 2021
Official Selection -
TIAF - Tbilisi International Animation FestivalTbilisi
Georgia
October 30, 2021
Official Selection -
Lyth Arts Center Northern Lights FestivalPulteneytown People's Project
United Kingdom
October 14, 2021
Official Selection -
Animae Caribe International Animation & Digital Media Festival
Trinidad and Tobago
October 28, 2021
Official Selection -
TirafuorilalinguaBologna
Italy
November 27, 2021
Italy
Special Mention -
Cine-Sister Gateway Film FestivalOnline
United Kingdom
November 26, 2021
Official Selection -
AfryKamera African Film FestivalWarsaw
Poland
December 10, 2021
Official Selection -
IFF Integrazione Film FestivalBologna
Italy
May 15, 2022
Fan Sissoko is a French-Malian artist and filmmaker based in Reykjavik, with a background in design for social change. Her work explores themes of migration, motherhood, otherhood and neurodiversity. Notable commissions include work for the Migration Museum, the Museum of London, the Science Gallery Dublin and the National Trust. Her animated short film 'On the Surface' was awarded a grant from Art With Impact, and screened at festivals around the world, including Clermont Ferrand ISFF (France), Encounters (UK), Ottawa International Animation Festival (CA), Margate Film Festival (UK), Rex Animation Festival (SWE). It won the Heartwired Award at Our Heritage, Our Planet Film Festival (US). Her co-directed documentary, ‘We The People’ (2019), has won the Film Futures Awards as part of Little Wing Film Festival 2020.
Response to 'On The Surface' by Cathy Brennan
https://www.encounters.film/on-the-surface
"There’s an excellent shot of the water washing over toes on the shore. Such tactility reinforces the theme of the body’s relationship to the land it inhabits. A Black woman swimming in the lake is a part of this land, even though she may simultaneously see herself as apart from it, reflecting one of the potential peculiarities of the immigrant experience."
Response to 'On The Surface' by Xandra Robinson-Burns
https://www.fringeofcolour.co.uk/responses/to-be-rooted-in-nature-and-held-by-the-sea-fan-sissoko
"This film is my breakthrough in understanding that perhaps what matters most is not where we come from, but where we choose to be. Sometimes, I get angry, overwhelmed even, by the complexity of belonging, for myself and for other marginalised people. The thing is, I can’t be angry while watching On The Surface. It’s too beautiful: the colours, the landscape, and the sounds of the sea are all too calming. Even as difficult topics of trauma, medical racism, and postnatal depression arise, the film’s setting feels like a safe space for our narrator to explore them. Her memories grow more challenging, and the waves around her do too. She reminds us that the mountains are scary, and the water is cold. Her body disappears and reappears as it navigates her swim. Nature appears to absorb her struggles, which ring out to the depths of the ocean and the peaks of the mountains."