NOISE AQUARIUM
Current studies show the destructive power of underwater noise on large marine life with shocking examples of stranded whales and dolphins. However, almost nothing is known about the possible impact on the marvelous microscopic organisms such as the plankton and addition of micro plastics further compromises the ecological balance. Noise Aquarium utilizes 3D-scans of these micro creatures obtained with unique scientific imaging techniques to highlight the extremely diverse plankton spectrum. Immersing the audience in 3D experience of these diverse planktons projected large as whales with occasional participant creating destructive visual and audio noise by their presence alone.
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Alfred VendlDirectorscientific visualization
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Victoria VesnaDirectorlead artist
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Ruth SchnellProducerAngewandte digital arts, Vienna, Austria
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UCLA Faculty Research GrantProducer
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Martina FröschlAnimationscientific animation
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Thomas Schwaha3D scanningIntegrative zoology, University of Vienna
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Stephan Handschuh3D scanningUniversity of Veterinary Medicine, Vienna, Austria
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Glenn BristolInteractive programmingUnited Motion labs, Vienna
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Paul GelusoSound spatializationHarvestworks, NY
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Project Type:Animation, Virtual Reality, Web / New Media
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Genres:Scientific visualization, media arts, virtual reality, interactive art, eco art
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Runtime:1 minute 22 seconds
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Completion Date:September 1, 2018
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Production Budget:200,000 USD
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Country of Origin:Austria
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Country of Filming:Austria
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Language:English
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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2018 Ars Electronica festivalLinz
Austria
September 6, 2018 -
The Paseo festivalTaos, New Mexico
United States
September 12, 2018 -
Cairotronica festivalCairo
Egypt
May 5, 2018 -
Powerlong Art CenterHangzhou
China
May 4, 2018 -
EPIcenterSydney
Australia
November 21, 2017 -
On|Off 100101010 symposiumSingapore
Singapore
October 13, 2017
VICTORIA VESNA
Victoria Vesna, Ph.D., is an artist and professor at the UCLA Department of Design Media Arts and Director of the Art|Sci Center at the School of the Arts and California NanoSystems Institute (CNSI). Although she was trained early on as a painter (Faculty of Fine arts, University of Belgrade, 1984), her curious mind took her on an exploratory path that resulted in work can be defined as experimental creative research residing between disciplines and technologies. With her collaborative art projects she investigates how communication technologies affect collective behavior and perceptions of identity shift in relation to scientific innovation (PhD, University of Wales, 2000). Her work involves long-term collaborations with composers, nano-scientists, neuroscientists, evolutionary biologists and she brings this experience to students. Victoria has exhibited her work in 30+ solo exhibitions, 80+ group shows, was published in 20+ papers, multiple book chapters and gave 100+ invited talks in the last decade. She is the North American editor of AI & Society journal (Springer Verlag, UK) and in 2007 published an edited volume - Database Aesthetics: Art in the Age of Information Overflow (Minnesota Press) and another in 2011 -- Context Providers: Conditions of Meaning in Media Arts. (co-edited with Christiane Paul and Margot Lovejoy) Intellect Ltd, 2011. http://victoriavesna.com
ALFRED VENDL
Dr. Vendl is director and writer with a background in chemistry.
Science and Research: Studies of Material Science at Technical University of Vienna, PhD, Research Scientist at: Imperial College /University of London, England, University Freiburg im Breisgau, Germany, University of California – San Diego La Jolla, USA , Max-Planck-Institut of Metal-Research Stuttgart, Germany. Since 1981 Full Professor at University of Applied Arts Vienna, head of the Institute of Art and Technology, Associative Professor at Technical University Vienna. Since 2016, head of Science Visualization Lab Angewandte – Digital Art. Around 80 scientific publications in Material Science, Archaeometry and Art Technology.
Film and Television: Education as Cameraman in Vienna, Freelance Cameraman since 1968, since 1970 work for ORF (Austrian Television) as cameraman, writer, director, producer and host of scientific talk-shows. Writer, director and/or producer of more than 200 prime-time documentaries for ORF, ARD, ZDF, WDR, BR, ARTE, BBC, Discovery, Smithsonian, WNET, etc.
Oceans and seas must not be considered as flat blue surfaces which serve as dropping holes for our anthropogenic remains -- vast amount of diverse organisms live down there, suffering from our waste and noise. Current literature and studies have demonstrated how different noise sources such as sonar and fracking influence large marine life with shocking examples of stranded whales and dolphins. However, almost nothing is known about the possible impact on marvelous microscopic organisms such as the plankton. Further, the addition of micro plastics that further complicate the ecological balance. Noise Aquarium utilizes 3D-scans of these micro creatures obtained with unique scientific imaging techniques This extremely diverse plankton spectrum is projected as large as whales and the audience proximity creates destructive visual and audio noise. This highly interdisciplinary is an artist led effort with participation of biologists, chemists, nano-toxicologists and an animator all working together towards a common goal - to raise awareness about the threat to the complex invisible realms that are the fabric of our collective existence.
Noise Aquarium utilizes 3D-scans of these micro creatures obtained with unique scientific imaging techniques to highlight the extremely diverse plankton spectrum. Immersing the audience in 3D experience of these diverse planktons projected large as whales with occasional participant creating destructive visual and audio noise by their presence alone.