Marianne's Onion
“Marianne’s Onion” is a true story told through shadow puppetry based on an interview with Marianne Ross. Eighty-six year old Marianne hikes through the valley behind her house one day when she is in need of an onion and miraculously finds one in the woods. The film follows her journey from first discovery, to the reactions of her community, to her hilarious and poignant musings on the meaning of unexpectedly receiving a seemingly mundane gift.
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Sarah Olmsted ThomasDirector
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Alex VernonDirector
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Alex and OlmstedDirector
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Sarah Olmsted ThomasWriter
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Alex VernonWriter
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Alex and OlmstedWriter
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Heather HensonProducerHandmade Puppet Dreams, Little Shop of Horrors (1986), Cosmic Fling, Amaterasu, The Narrative of Victor Karloch, among others
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Sam Koji HaleProducerYamasong, Monster of the Sky, 12 Zodiac, Yamasong: March of the Hollows
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Alex U. GriffinProducerBoo, Les Mutts: Teamwork, Born to Die, I'm Not Afraid
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Jessica SimonProducerThe Memory Trade, I am Taino
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Marianne RossKey Cast"as Herself"
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Alex VernonPuppet Design & Fabrication
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Sarah Olmsted ThomasSet Design & Fabrication
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Sarah Olmsted ThomasPuppeteer
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Alex VernonPuppeteer
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Alex and OlmstedPuppeteer
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Project Title (Original Language):L'Oignon de Marianne
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Project Type:Animation, Documentary, Experimental, Short
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Runtime:7 minutes 28 seconds
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Completion Date:December 20, 2020
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Production Budget:3,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Paris Film Art FestivalParis
France
December 4, 2021
French Premiere
Official Selection -
Washington West International Film FestivalReston, VA
United States
October 22, 2021
Official Selection -
Maryland Film FestivalBaltimore
United States
April 28, 2022
Maryland Premiere
Official Selection -
Lunenburg Doc FestLunenburg
Canada
September 23, 2021
Nova Scotia Premiere
Official Selection -
Madrid International Film FestivalMadrid
Spain
August 23, 2021
European Premiere
Winner Best Animation or Animated Sequence -
Festival of Animated ObjectsCalgary
Canada
March 29, 2021
Canadian Premiere
Official Selection -
International Fine Arts Film FestivalSanta Barbara, California
United States
August 2, 2022
California Premiere
Honorable Mention -
Bonnaroo Music & Arts FestivalManchester, Tennessee
United States
June 17, 2022
Tennessee Premiere
Alex and Olmsted (Alex Vernon and Sarah Olmsted Thomas) is an internationally acclaimed puppet theater and filmmaking company based in Maryland, USA. In recent years, they have toured abroad at the Festival of Wonder in Denmark, the Puppet Festival Chuncheon in South Korea, the Festival de Casteliers in Montréal, and the Festival of Animated Objects in Calgary. In the United States, they have played Symphony Space in New York City, The Detroit Institute of Arts in Michigan, the Center for Puppetry Arts in Atlanta, and Black Cherry Puppet Theater in Baltimore, among others. Alex and Olmsted was awarded the 2020 State Independent Artist Award for Performing Arts from the Maryland State Arts Council, the highest honor for performing artists in the State of Maryland and an award that is only given once in the lifetime of an artist or group. Their puppet show Milo the Magnificent was awarded a 2017 Jim Henson Foundation Grant, a Greenbelt Community Foundation Grant, and received an excellent mention in the New York Times. They were awarded a second Jim Henson Foundation grant to further develop their outer space show, MAROONED! A Space Comedy. Alex and Olmsted’s short puppet film Marianne’s Onion, produced by Heather Henson’s Handmade Puppet Dreams, was an official selection of the Maryland Film Festival, the Washington West Film Festival, and the Paris Art Film Festival, among others. Alex and Olmsted is a resident company at Baltimore Theatre Project. Vernon and Thomas are also proud company members of Happenstance Theater with whom they have created 10 productions since 2012.
As theater artists, we infuse our own life experiences into our imaginings of the lives and experiences of others; people, animals, archetypes, and puppets. We are invested in sparking a dialogue with the audience that requires participation; the audience must engage their imagination in order to relate to the puppets, and by doing so, enhance their perception of the world.