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Manufactured Democracy

Manufactured Democracy is a performance of handwriting the names of Iraqi victims of wars in the shape of fingerprints, reminiscent of the Iraqi first known as purple finger election after the invasion. The "Purple Fingers' are a metaphorical spotlight, a testimony, and the evidence of a crime, where the perpetrator left behind fingerprints. It is manufactured delinquency against humanity, and innocent Iraqis, committed by the superb uncle Sam. It is proof of human greed and inanely cruel nature. The massive fingerprints consist of the microscopic names of civilians who lost their lives since 2003 because of the international war in Iraq. The lines represent insignificant mass and the loopholes of remorselessness of the politicians. The names are collected by a non-profit organization called Iraqi Body Count. Manufactured Democracy is an example of a human’s savage attitude that has never learned from history lessons and only became more pronounced as knowledge and science advances.

  • Huner Emin
    Director
  • Huner Emin
    Writer
  • Ayesha Cheema
    Video
  • Project Type:
    Experimental, Web / New Media, Other
  • Genres:
    Video Art, Performance Art, Installation
  • Runtime:
    4 minutes 43 seconds
  • Completion Date:
    April 14, 2021
  • Production Budget:
    1,800 USD
  • Country of Origin:
    Iraq
  • Country of Filming:
    United States
  • Language:
    English
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Huner Emin

I am a stateless Kurdish artist from south Kurdistan/northern Iraq, currently living and working in Indiana. I grew up in Iraqi Kurdistan, studied Academic art in Erbil, and moved to The United States to study for an MFA in art painting in 2013. Ever since I left my country, I have never returned due to my political issues with the Kurdish Reginal government of Iraq.

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Director Statement

My creativity stems from the reflection on contrasting Middle East and Western cultures. I tend to create an art bridge between the different philosophies of the art-making process. I studied western classical art in Iraq, where I learned to create art that resembles Western culture's horizontal perspective and visual aesthetics. My art practices developed during my MFA study in the United States where I sought authenticity in my work and established a system descended from the verticality and poetic nature of the middle east culture. After moving to The United States, I began creating artworks that address my country of origin's political and social issues.
The nature of my work is storytelling expressed by calligraphy or visual symbols containing various subjects matters such as honor killing, genocide, or suppression. I reorganize and reform shapes and materials to create art pieces of multiple media styles, video art, installations, and paintings.