MIWENE
Steeped in the long oral tradition of Waorani storytelling, Gange Yeti shares her own coming-of-age story as a young Waorani woman living deep within the Amazon rainforest. Following Gange and her community for over 11 years, the film captures her transition from a quiet teenager into a confident young mother at a critical turning point for her culture and rainforest. As the granddaughter of one of the last Waorani elders that lived in complete isolation before outside contact, Gange is determined to capture her grandmother’s unique experience while she still can -- balancing school, motherhood, and tradition along the way.
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Keith HeywardDirector
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Jennifer BerglundDirector
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Gange Anita Yeti EnomengaDirector
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Obe Beatriz Nenquimo NihuaDirector
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Gange Anita Yeti EnomengaWriter
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Obe Beatriz Nenquimo NihuaWriter
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Huiñari Marco Toca NaacaWriter
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Keith HeywardWriter
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Jennifer BerglundWriter
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Keith HeywardProducer
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Jennifer BerglundProducer
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Gange Anita Yeti EnomengaProducer
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Obe Beatriz Nenquimo NihuaProducer
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Flávia de SouzaConsulting EditorAftershock(Sundance 2022), Boycott(DOCNYC 2021), Utica: The Last Refuge(2021), Naila and the Uprising(2017), Song of Lahore(2015), Open Heart(2013)
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Project Type:Documentary, Feature
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Genres:Participatory, Observational, culture, coming-of-age
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Runtime:1 hour 45 minutes 30 seconds
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Completion Date:October 15, 2022
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Country of Origin:Ecuador
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Country of Filming:Ecuador
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Language:Spanish
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Shooting Format:AVCHD (HD), ProRes422 (4K)
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Wildscreen Festival - Official SelectionBristol
United Kingdom
October 15, 2022
World Premiere
Official Selection -
Indifest: Festival de Cine Indígena de BarcelonaBarcelona
Spain
October 16, 2022
Spain Premiere
Official Selection -
Festival Internacional de Cine de CuencaCuenca
Ecuador
October 17, 2022
South American Premiere
Best Documentary Feature -
Kunturñawi Ecuadorian Film FestivalAmbato
Ecuador
November 10, 2022
Official Selection -
FIC CLACPIQuito
Ecuador
November 23, 2022
Official Selection -
Cine Las Americas International Film FestivalAustin, TX
United States
June 11, 2023
North American Premiere
Audience Award - Best Feature Documentary -
The Roxbury International Film FestivalBoston, MA
United States
June 28, 2023
Official Selection -
International Film Festival for Human Rights - ColombiaBogota
Colombia
August 10, 2023
Colombia Premiere
Official Selection -
Toronto Latin American Film FestivalToronto
Canada
November 1, 2023
Official Selection -
Filmambiente International Festival of Environmental FilmsRio de Janeiro
Brazil
November 23, 2023
Brazil Premiere
Official Selection -
Weengushk International Film FestivalManitoulin Island
Canada
July 14, 2023
Canadian Premiere
Official Selection -
ECOador Festival Internacional de Cine AmbientalQuito
Ecuador
July 15, 2023
Official Selection -
Amazonia and Caribbean International Documentary Film Festival (FIFAC)Saint-Laurent du Maroni
French Guiana
October 15, 2023
Official Selection -
Kanua Film FestivalPastaza
Ecuador
November 24, 2023
Official Selection -
Flickers' Rhode Island International Film FestivalProvidence
United States
Semi-Finalist -
Equality International Film Festival 2023 Equality International Film Festival
United States
December 7, 2023
Official Selection -
Sacramento Underground Film & Arts FestivalSacramento
United States
July 21, 2023
Winner - Best Documentary Feature -
Sierra International Film WeekendSanta Cruz
Bolivia, Plurinational State of
December 2, 2023
BEST DOCUMENTARY FEATURE FILM
Keith Heyward is an accomplished filmmaker, web developer, and interactive media designer working in some of the most extreme environments in the world, from Antarctica, to the Amazon, to the Arctic. He has created a wide range of media experiences from documentaries and educational content to multimedia art exhibits and music videos. He was a cinematographer for multiple award-winning documentaries such as “Take Your Pills” (Netflix Original Doc), “The Brink” (Sundance Premiere), and "Unfinished Business" (Tribeca Premiere). In addition, he was a Director of Photography for NHK’s “Life Force 2” and the BBC’s “Super Smart Animals,” and his wildlife cinematography has been featured on TV programs like the BBC, National Geographic, the Science Channel, and more.
Jennifer Berglund is an award-winning writer, filmmaker and photographer at the intersection of science, nature and culture. Her work has taken her around the globe to all seven continents, from the depths of the Amazon Rainforest, to Antarctica, and even the bottom of the Pacific Ocean. Her writings, films and photos have appeared in publications, televisions and big screens both nationally and internationally in film festivals and major publications, including Discover Magazine, Scientific American, the Discovery Channel, Animal Planet, and others. In 2017, she was awarded as a National Science Foundation STEM Media Fellow. She is also a National Geographic Explorer honoree, and works closely with world-renowned scientists and scholars at Harvard University to develop exhibits and media for the Harvard Museums of Science and Culture.
Gange Yeti is a young Waorani woman from the community of Kewediono in the Ecuadorian Amazon, where she graduated from the Nongi Togodo Bilingual High School. As the eldest daughter of a prominent and traditional family in her community, and the granddaughter of Weba, the eldest member of the community, she is deeply rooted in the Waorani culture and is well versed in the Waorani's storytelling tradition. Her father, Eweme, is a respected cultural and ecological guide at the Waorani Ecolodge, and she has worked at the lodge herself for many years. Through this experience she has become a great facilitator between her culture, the rainforest, and the outside world. She now works as assistant to the president of the Waorani foundation, Ome Yabu, developing cultural and environmental projects within the territory.
Obe Nenquimo currently lives in Kewediono with her husband and co-producer, Huiñari Toca, and 9 children. She was the oldest student to graduate from the Nongi togodo Bilingual High School alongside Gange. Her dedication to documenting and preserving her culture is astonishing, simultaneously raising several children, working at the nearby ecolodge, and attending classes. She now works as an interpreter for the Ministry of Health providing health care services to indigenous communities through the territory.
MIWENE is a labor of love and the result of an 11 year collaboration with the indigenous Waorani community of Kewediono in the Ecuadorian Amazon. We have strived to spread creative control and ownership to multiple storytellers in the process, as is more aligned with the Waorani’s custom of storytelling and collaboration. Thus, MIWENE effectively has four primary directors. Anita Yeti and Obe Nenquimo are indigenous Waorani women from the community of Kewediono, and Jennifer Berglund and I (Keith Heyward) are filmmakers from the US who met in Ecuador in 2005 and volunteered as teachers in Kewediono in 2011. The Waorani filmmakers still currently live in remote communities without access to the internet, so I am honored to present this film on their behalf and the rest of our team.
From its inception, this collaboration was grounded in the acknowledgement that the telling of indigenous experiences have always been dominated by outside perspectives with more privilege and resources. Thus, it was critical for us to acknowledge the inherent imbalance of power that the non-Waorani collaborators brought to the project, and thus seek every opportunity to give creative control and financial ownership of the film to the subjects of the film and the community members whose stories were being represented. At our first community meeting in 2011, the whole community made it clear to us that they would not be passive characters in this story, as they had been in past films made about their culture, but instead they wanted to participate as the storytellers themselves. The leadership of Gange Yeti and Obe Nenquimo in particular were invaluable in crafting a more authentic story at all stages of the filmmaking process, despite the technical challenges of living in such an isolated community.
For the past 11 years, Jennifer and I have built close relationships with many families of Kewediono, developing trust, understanding, and collaboration that was crucial for telling this story. We have watched some of our closest friends in the community grapple with suicide, illness, and the loss of loved ones from snake bites and lack of medical access. As these experiences and relationships developed, the story developed along with it becoming a more personal exploration of culture, identity, and agency. Driving that story is the perspective that culture and identity are never static and inherently always modern in their manifestations. They are not things to be preserved, but lived.