Lioness
Barricaded in a motel room, a mothers determination and primal instincts kick in to protect her child's innocence.
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Sara OlivaProducer
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Molly E. SmithDirector
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Sara OlivaWriter
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Sara OlivaKey Cast"Mother"
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Lily JaneKey Cast"Child"
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Project Type:Short
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Runtime:7 minutes 18 seconds
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Completion Date:August 15, 2021
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital, C200
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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deadCENTEROklahoma City
United States
Official Selection
Oscar Qualifying Film Festival -
Florida Film FestivalOrlando
United States
Official Selection
Oscar Qualifying Film Festival -
Key West Film FestivalKey West, FL
United States
November 19, 2022
Jury Nominee Best Short -
Hill Country Film FestivalFrederickburg
Official Selection -
Cambridge Film FestivalCambridge
United Kingdom
Official Selection
Crystal Punt Best Short Nominee (BAFTA Qualifying) -
Georgia Shorts Film FestivalAtlanta
Official Selection/Best Actress/Best Director WINNER Best Short Nominee -
Sarasota Film FestivalSarasota
Official Selection -
Femme FronteraEl Paso, TX
Official Selection -
Sedona International Film FestivalSedona
Official Selection -
Gasparilla Film FestivalTampa
Best Florida Production -
Buffer Film FestivalToronto
Honorable Mention -
Topaz Film FestivalDallas
October 29, 2022
Jury Award Best Short -
Chelsea Film FestivalNew York City
October 16, 2022 -
SOHO International Film FestivalNew York City
United States
October 11, 2022
Northeast Premiere
Best Short Nominee, Best Actress Nominee, Audience Favorite (Top 5) Nominee -
Fort Lauderdale Film FestivalFort Lauderdale
November 9, 2022
Jury Award Best Short (Florida) -
Tampa Bay Underground Film FestivalTampa
United States
Jury Award Best Drama Short -
World of Film GlasgowGlasgow
Official Selection -
Love Your ShortsSanford
February 12, 2023
Best Florida Flavor Short -
Blackbird Film FestivalCortland, NY
United States
April 28, 2023
WINNER- Power of Voice Award
Molly's film “Dear America” about the Parkland, FL school shooting garnered national attention, and was featured on the "TODAY Show". She has continued to challenge norms, raise awareness and evoke empathy through powerful short narratives. Her goal is always to use strong imagery and the spoken word to tell stories. Molly’s short film “I Don’t Know” tackled the issue of race in America, winning several Best Film awards. Her work has screened at Woodstock Film Festival, Indy shorts International Film Festival, Fort Lauderdale International Film Fest, Key West Film Festival, Newport Beach Film Festival, Nashville Film Festival, and many others.
Writer's Statement:
This film was inspired by an event while volunteering at a domestic violence safehouse. One Thanksgiving, my job was to play with the kids so their mothers could focus on preparing the food for the feast later that evening. While playing the card game "War" with the children, one of the mothers entering the kitchen caught my eye. On her arm was a massive bruise, swallowing half of her arm, completely disguising the color of her skin. I watched her as she pulled ingredients out of the kitchen cabinets; if she was in any pain, inside or out, it didn't show. The children paid no attention. Bruises like these were an imprint on their everyday life, as much as coloring books or legos. The mother continued to cook, and all around children were laughing, screaming in joy, chiding each other. She paid attention to nothing but the food. There was a meal to prepare, a feast to be had, joy to be spread as far these walls would allow.
They say that once you are a mother, your heart lives outside of you. As I was putting this story to paper, it came to me in images rather than with a lot of dialogue. Words sometimes just aren’t enough; they can’t capture the tenderness, might, pain and feral love a parent has for their child. I wanted to reveal both the fragility and the strength of parenthood; going beyond what is in our purse, to using parts of our own bodies, - spit and blood and wounds and imagination - as a means to recreate innocence. My hope is that the unspoken strength of the colossal bond between the mother and child is palatable in every frame.
I do not know what happened to that woman from that Thanksgiving morning, but I like to imagine that she is free and safe from the fear which brought her there in the first place. This film was inspired by her bravery, tenderness, might, fragility, sacrifice, resilience, and above all, unyielding love for her child. It is for her. It is for all the lionesses who roam through the jungles battered, but brave.