Joyeux Noël
During the first holiday season after her beloved father’s passing, a young woman attempts to recreate their traditions with his cremated remains.
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Haley WebbDirectorTeen Wolf, The Final Destination
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Haley WebbWriterTeen Wolf, The Final Destination
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Haley WebbProducerTeen Wolf, The Final Destination
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Haley WebbKey Cast"Haley"Teen Wolf, The Final Destination
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Alexander DrecunCinematographyPatti, Byoutiful
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Project Type:Short
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Genres:Drama, Dark Comedy, Comedy
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Runtime:11 minutes 11 seconds
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Completion Date:December 25, 2018
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Production Budget:500 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:French
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Film ShortageOnline
United States
December 30, 2018
Daily Short Pick -
Life Screenings International FestivalClermont, FL
United States
February 17, 2019
Official Selection -
Short to the PointBucharest
Romania
March 31, 2019
Best Drama Finalist -
Black Cat Film FestivalAugusta, GA
United States
August 17, 2019 -
The Film Collective.Philadelphia
United States
August 12, 2019 -
Festival International de Courts-Métrages d'AuteursQuebec
Canada
November 9, 2019
Canadian premiere
Best Short Film + Best Cinematography -
WeihnachtsfilmfestivalBerlin
Germany
December 19, 2019
German premiere -
The Macoproject Film FestivalLos Angeles
United States
December 20, 2019 -
Independent Shorts AwardsLos Angeles
United States
November 30, 2019
Los Angeles premiere
Best Dark Comedy + Best Director (female) + Best Composer -
Suds + CinemaMemphis
United States
December 7, 2019 -
rolling ideasBucharest
Romania
June 28, 2019 -
Queen Palm International Film FestivalPalm Springs
United States
Honorable Mention: Best Writer + Best Short -
Vegas Movie AwardsLas Vegas
United States
Best Indie Short -
First-Time Filmmaker Sessions
Official Selection -
Krampus Film FestivalAshbury Park
United States
December 6, 2019 -
Culver City Film FestivalLos Angeles
United States
December 7, 2019
Haley Webb began her directing career by bossing her five siblings around in short films, music videos and commercials she would write. She now has nearly two decades of experience within the film industry as an actress, director, writer, producer and editor, working on projects ranging from big budget to independent with television work scattered throughout. She founded her own production company, Legion of Horribles, in 2011 through which she continues to create her own films.
They™ say you should write what you know. For me, that is the sudden loss of the most important person in my life, my father. Beyond being my north star, he was my foremost artistic educator + collaborator. Learning I was now in a world without him was my greatest fear realized and eons worse than I could have imagined.
Throughout our twelve years together, my husband, Alex, and I have made maudlin Christmas films for the holiday weary in hopes they feel seen at such an aggressively cheerful time of year. Dad left in mid-November 2017 and when the 2018 holiday season rolled around, it made perfect sense to dedicate our next Christmas film to him in light of how devastatingly depressed we were compared to previous years! Without the ability to call or see my Dad anymore, it was fitting that our final form of communication be art.
To avoid sentimentality, we employed a French New Wave style in ‘Joyeux Noël.’ We leaned on its signature existential voice-over to marry the heartbreaking with the darkly comedic. Haley, our heroine, is isolated from friends and family to highlight the singular, lonely experience of grief. All I wanted in the wake of my Dad’s death was to be held by everyone and no one at the same time. I felt utterly alone amongst my large family because he wasn’t with me.
My loneliness deepened when I sensed we were all grieving a different person. The person I knew went by the nickname ‘Titties,’ and wanted ‘I told you I was sick.’ scrawled across his tombstone, but to my sister, he was just ‘Daddy.' My goal with the feature is to explore how a family copes with this emergence of competing mythologies of the person they love + miss so much. Instead of isolating Haley, I want to smother her with family as they gather for the holidays to apportion their late paterfamilias’ belongings a year after his death.
Making a Christmas movie about a family fighting over their father’s belongings + legacy is exactly the type of irreverent film my Dad would have relished. I can only hope he has seen our initial little $500 foray from his telescope on the moon and sends his approval for the feature.
With that, I proudly present to you, ‘Joyeux Noël.’