Private Project

In The Upper Room

Every season a young mole visits his blind grandfather, who lives deep underground in a comfortably decorated burrow. As the two grow older their relationship becomes more intense and important questions arise.

  • Alexander Gratzer
    Director
  • Alexander Gratzer
    Writer
  • József FÜLÖP
    Producer
  • Natália Andrade
    Animation
  • Gábor Mariai
    Animation
  • Sebastian Doringer
    Animation
  • Alexander Gratzer
    Animation
  • Csaba Kalotás
    Sound Design
  • Alexander Gratzer
    Music
  • Éva-Katinka Bógnar
    Consultants
  • Réka Gacs
    Consultants
  • Eszter Talabér-Glaser
    Production Managers
  • Dominka Szosznyák
    Production Managers
  • Alexander Gratzer
    Layout & Backgrounds
  • Hungarian Film Institute
    Supported by
  • Project Type:
    Animation, Short, Student
  • Runtime:
    8 minutes 9 seconds
  • Completion Date:
    January 1, 2022
  • Country of Origin:
    Hungary
  • Country of Filming:
    Austria, Hungary
  • Language:
    English
  • Shooting Format:
    Digital 2d Animation
  • Aspect Ratio:
    4:3
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Moholy Nagy University of Arts and Design, Budapest
Director Biography - Alexander Gratzer

Alexander Gratzer

Born 1993 in Hallein/ Austria

2011 - 2018 University of Applied Arts Vienna, Painting (Diploma)

2018 -2021 Moholy - Nagy Universität Budapest, Animation (Master)

Add Director Biography
Director Statement

‚In The Upper Room‘ is inspired by a special moment, that I experienced with my grandfather, when I was a teenager.
Since we lived several hundred kilometers apart, I visited him only every once in a while. He was a tall, impressive man, who loved to tell stories about his life. The 'Vöslauer Opa', as I called him, had been blind for several years. He usually sat in his big armchair listening to jazzy music and cracking walnuts, which he would then hand over to friends. As a child, I liked to take advantage of Grandpa's blindness every now and then, pulling faces or silently leaving the room with some stolen nuts in my luggage, while he was talking.
Later, when I was a teenager, I once sat next to him and asked: "Grandpa, do you ever wonder what I look like? You could touch my hair, if you want!" His answer came promptly and confidently, "I know exactly how you look, Alexander!" It was by then that I realized that Grandpa could see more than I expected.
This moment still moves me today and inspired me to invent a story around this memory.
The story is told in metaphorical images and gives an example of how wonderful and strong a relationship between people can be, no matter what physical disabilities or hurdles are present.