Experiencing Interruptions?

Hungry

A personal project
Hungry shares on the allowance of free discovery, when the beauty of a spirit tells it's own story where there is no imposing on the truth of what just is..

  • LINDA NOTELOVITZ
    Director
  • LINDA NOTELOVITZ
    Producer
  • Cynthia
    Key Cast
  • LINDA NOTELOVITZ
    Director
  • MILES GOODALL
    DIRECTOR OF PHOTOGRAPHY
  • GIOVANNA WINETZKI
    2ND CAMERA
  • DAVID HUTT
    STYLIST
  • ZWELE BUTHELEZI
    STILL PHOTOGRAPHY
  • PETER MOSTERT
    EDITOR
  • CURAWAKA
    MUSIC
  • Project Type:
    Experimental, Short
  • Runtime:
    2 minutes 24 seconds
  • Production Budget:
    500 USD
  • Country of Origin:
    South Africa
  • Country of Filming:
    South Africa
  • Language:
    English
  • Shooting Format:
    DIGITAL
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • CRESTA, Creative Standard Awards
    NY
    United States
    September 15, 2020
    Bronze Award
Director Biography - LINDA NOTELOVITZ, LINDA NOTELOVITZ

Director. Producer. Agilist. Creator. Mentor.

Linda Notelovitz has worked in over 20 countries creating beautiful and moving content for top brands globally. Her filmmaking style seeks to hold the audience in a space of emotional involvement and connection. Her work touches that which is universal in our humanity, enabling messaging and communication of brand experiences through her interpretation.

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Director Statement

Having never met Cynthia,I approached the shoot with a verité spirit. Rather than scripting the direction or predetermining the shots, I left this to the spontaneity of the meeting. The conversation & time together organically steered the direction to an authentic and natural narrative and vision for the film. A commentary on acceptance and the simplicity of her purpose to be just as she is. It is through Cynthia’s voice that her message is shared. Meeting and shooting in her space, which is a piece of wilderness off a main road that she calls her church, the essence of Cynthia’s spirit led me to feel the vision, and see the shots I wanted, and in this way the story was allowed to unfold, live.
Observing Cynthia, I tuned in to her soul song, the dance and rhythm of her energy. There existed no border to her heart. The feeling of this became the visual language of my film: an authentic, raw, sharing of space and time.