Private Project

FEATHER

Longing for sleep with the fear of never regaining consciousness is an agonizing episode of the sleep to and fro theatre. These Torturous hours with the backdrop of a changing landscape and the soundtrack of the car engine set the scene for the butterfly-like manic dance of an unwilling traveller who may live to tell the tale.

"He who became unaware and ineffective,
of the sum, he has the awareness
If you do not become unaware of the body and the soul,
how can you find awareness of the living?
He who brought back for you a sign from one hair,
a hundred lines of your life's blood has he returned
Because this place is not intimate with the self,
no person will fit in it"

Farid Attar,
Conference of the Birds

آنکه شد هم بیخبر هم بی اثر
از میان جمله او دارد خبر
تا نگردی بیخبر از جسم وجان
کی خبر یابی زجانان یک زمان
هر که از موئی نشانت باز داد
صد خط اندر خون جانت باز داد
نیست چون محرم نفس اینجایگاه
در نگنجد هیچکس این جایگاه

عطار نیشابوری
منطق الطیر

  • Nima B. Djavidani
    Director
  • Zack Peyman
    Assistant Director
  • Umit Akdeniz
    Key Cast
  • Avishan Taghvashoar
    Key Cast
  • Mehmet Akgürel
    Key Cast
  • Pargol Maleki
    Key Cast
  • Hamid Zakeri Hanjani
    Director of photography
  • Salar Hamzei
    Assistant Director of Photography
  • Avishan Taghvashoar
    Makeup
  • Ediz Pirhan
    Sound
  • Siavash Amini
    Soundtrack
  • Avishan Taghvashoar
    Producer
  • Tahereh Tamjidi
    Producer
  • Milad Kashef
    Producer
  • Hamid Zakeri Hanjani
    Producer
  • Zack Peyman
    Photographer
  • Nima B. Djavidani
    Montage
  • Project Title (Original Language):
    پر
  • Project Type:
    Experimental, Music Video, Short
  • Runtime:
    11 minutes 44 seconds
  • Completion Date:
    January 28, 2021
  • Production Budget:
    1,000 USD
  • Country of Origin:
    Cyprus
  • Country of Filming:
    Cyprus
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - EMU/ TRNC
  • DELETE TV Online Festival
    London
    United Kingdom
    April 8, 2021
    EXPERIMENTAL VIDEO ART
    Official selection
  • Vancouver Independent Film Festival
    Vancouver
    Canada
    March 25, 2021
    Experimental Short
    Finalist
  • The Magikal Charm Experimental Video & Film Fest
    New York
    United States
    April 8, 2021
    Sense, Symbol, Surrealism
    ITSO ATTAR (In the spirit of)
  • The Fine Arts Film Festival
    Califorrnia
    United States
    June 8, 2021
    Experimental Film
    Official Selection
  • Spring Grove Caledonia Film Festival
    Minnesota
    United States
    July 23, 2021
    Dance Films
    Finalist
Director Biography - Nima B. Djavidani

Nima began his career path in the late 90s with an Olympus Om2 negative photo camera when there where only film cameras. He worked as an assistant photographer at his friend's photo studio for three years before he became a freelance photographer. With his Hasselblad medium format he specialised in studio photography and practiced fine art photography. Other than advertising and architectural photography he has conducted around a dozen conceptual photo exhibitions held in well-known galleries inside and outside of Iran.
After fifteen years in Iran's competitive commercial photography industry, he began studying film theory and practice in academia to broaden his field of expertise. With his background in photography during the course of his studies he created a series of video art and experimental short films which were recognised in many festivals in Europe, Canada, Chile, and the United States. He got his Bachelor of Arts in TV and film studies at eastern Mediterranean university and is currently living in Cyprus.

Add Director Biography
Director Statement

One night, Years ago, while roaming the streets of Tehran homeless and dealing with mental health and medication complications, Like Eloisa longing for Abelard, I walked penniless to Imam Khomeini Airport where I was arrested by the police. Upon becoming aware of my mental condition, the police labelled me ‘Code 66’ and sought my identity and family. After contacting my family, they put me in a cab headed to my aunt’s place. Out of exhaustion, I was not able to keep myself awake during the ride, neither did I have any hopes for the ride to end well. I feared I would never be able to wake up again if I allowed myself to go to sleep. All throughout the ride I felt as though I was tiptoeing on an edge, with Abelard on one side and death on the other; madness on one side and fear on the other.
That same feeling delivered me half-conscious to my aunt’s place, but the door was never opened for me. The driver kept my only ID card as means of guaranteeing payment and the house door remained closed. I needed sleep. I hardly dragged myself to the maintenance room of the next building where the building guard found me half awake and handed me over to the police. Once in the car, I caught a glimpse of my aunt under early sunrise, claiming not to know me. That arrest resulted in a series of unfortunate events in addition to physical and psychological torment that I have not been able to forget; they follow me to this day and haunt me in solitude.
In making this work, I have attempted to communicate the darkness and uncertainty of that night.