FEATHER
Longing for sleep with the fear of never regaining consciousness is an agonizing episode of the sleep to and fro theatre. These Torturous hours with the backdrop of a changing landscape and the soundtrack of the car engine set the scene for the butterfly-like manic dance of an unwilling traveller who may live to tell the tale.
"He who became unaware and ineffective,
of the sum, he has the awareness
If you do not become unaware of the body and the soul,
how can you find awareness of the living?
He who brought back for you a sign from one hair,
a hundred lines of your life's blood has he returned
Because this place is not intimate with the self,
no person will fit in it"
Farid Attar,
Conference of the Birds
آنکه شد هم بیخبر هم بی اثر
از میان جمله او دارد خبر
تا نگردی بیخبر از جسم وجان
کی خبر یابی زجانان یک زمان
هر که از موئی نشانت باز داد
صد خط اندر خون جانت باز داد
نیست چون محرم نفس اینجایگاه
در نگنجد هیچکس این جایگاه
عطار نیشابوری
منطق الطیر
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Nima B. DjavidaniDirector
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Zack PeymanAssistant Director
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Umit AkdenizKey Cast
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Avishan TaghvashoarKey Cast
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Mehmet AkgürelKey Cast
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Pargol MalekiKey Cast
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Hamid Zakeri HanjaniDirector of photography
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Salar HamzeiAssistant Director of Photography
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Avishan TaghvashoarMakeup
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Ediz PirhanSound
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Siavash AminiSoundtrack
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Avishan TaghvashoarProducer
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Tahereh TamjidiProducer
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Milad KashefProducer
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Hamid Zakeri HanjaniProducer
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Zack PeymanPhotographer
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Nima B. DjavidaniMontage
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Project Title (Original Language):پر
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Project Type:Experimental, Music Video, Short
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Runtime:11 minutes 44 seconds
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Completion Date:January 28, 2021
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Production Budget:1,000 USD
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Country of Origin:Cyprus
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Country of Filming:Cyprus
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - EMU/ TRNC
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DELETE TV Online FestivalLondon
United Kingdom
April 8, 2021
EXPERIMENTAL VIDEO ART
Official selection -
Vancouver Independent Film FestivalVancouver
Canada
March 25, 2021
Experimental Short
Finalist -
The Magikal Charm Experimental Video & Film FestNew York
United States
April 8, 2021
Sense, Symbol, Surrealism
ITSO ATTAR (In the spirit of) -
The Fine Arts Film FestivalCaliforrnia
United States
June 8, 2021
Experimental Film
Official Selection -
Spring Grove Caledonia Film FestivalMinnesota
United States
July 23, 2021
Dance Films
Finalist
Nima began his career path in the late 90s with an Olympus Om2 negative photo camera when there where only film cameras. He worked as an assistant photographer at his friend's photo studio for three years before he became a freelance photographer. With his Hasselblad medium format he specialised in studio photography and practiced fine art photography. Other than advertising and architectural photography he has conducted around a dozen conceptual photo exhibitions held in well-known galleries inside and outside of Iran.
After fifteen years in Iran's competitive commercial photography industry, he began studying film theory and practice in academia to broaden his field of expertise. With his background in photography during the course of his studies he created a series of video art and experimental short films which were recognised in many festivals in Europe, Canada, Chile, and the United States. He got his Bachelor of Arts in TV and film studies at eastern Mediterranean university and is currently living in Cyprus.
One night, Years ago, while roaming the streets of Tehran homeless and dealing with mental health and medication complications, Like Eloisa longing for Abelard, I walked penniless to Imam Khomeini Airport where I was arrested by the police. Upon becoming aware of my mental condition, the police labelled me ‘Code 66’ and sought my identity and family. After contacting my family, they put me in a cab headed to my aunt’s place. Out of exhaustion, I was not able to keep myself awake during the ride, neither did I have any hopes for the ride to end well. I feared I would never be able to wake up again if I allowed myself to go to sleep. All throughout the ride I felt as though I was tiptoeing on an edge, with Abelard on one side and death on the other; madness on one side and fear on the other.
That same feeling delivered me half-conscious to my aunt’s place, but the door was never opened for me. The driver kept my only ID card as means of guaranteeing payment and the house door remained closed. I needed sleep. I hardly dragged myself to the maintenance room of the next building where the building guard found me half awake and handed me over to the police. Once in the car, I caught a glimpse of my aunt under early sunrise, claiming not to know me. That arrest resulted in a series of unfortunate events in addition to physical and psychological torment that I have not been able to forget; they follow me to this day and haunt me in solitude.
In making this work, I have attempted to communicate the darkness and uncertainty of that night.