Black Butterflies
A woman who’s haunted by the ailing health of her postpartum sister is confronted with a fight to save her sister and ultimately, herself.
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Tamara S. HallWriterNightmares Are Dreams Too, The Zone, Through Your Lens, A Night at the Table, Appetizer, Juju
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Tamara S. HallDirectorNightmares Are Dreams Too, The Zone, Through Your Lens, A Night at the Table, Appetizer, Juju
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Project Type:Short Script
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Genres:Horror, Drama
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Number of Pages:16
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Country of Origin:United States
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Language:English
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First-time Screenwriter:No
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Student Project:No
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13Horror.com
June 30, 2021
Best Short Screenplay -
Nashville Film Festival Screenwriting CompetitionNashville, TN
July 26, 2021
Screenplay Finalist -
Las Vegas International Film & Screenwriting FestivalLas Vegas, NV
November 9, 2021
Screenplay Finalist -
PAGE International Screenwriting AwardsLos Angeles, CA
July 15, 2021
Screenplay Quarter-Finalist -
The Future of Film is Female
March 31, 2021
Screenplay Semi-Finalist -
Chicago Horror Film FestivalChicago, Illinois
July 5, 2021
Screenplay Semi-Finalist
Tamara S. Hall is an LA-based actress, screenwriter, poet, and award-winning filmmaker from Philadelphia, PA. A graduate of The William Esper Studio, Tamara completed her studies in acting, movement, and voice & speech. She’s written, produced, and starred in short films tackling both fun and controversial topics that center Black women. Her first two shorts, “Appetizer” and “A Night at the Table," premiered at prestigious festivals such as Screamfest, BronzeLens, Pan African FF, Ax Wound, and more during the 2019-2020 film festival circuit. ANATT won a first place 3-year distribution deal with REVOLT TV. Her most recent feature-length script she co-wrote, "Nightmares Are Dreams Too," placed as a Quarterfinalist in the 2021 Atlanta Film Festival Screenplay Competition and the 2020 ScreenCraft Horror Screenplay Competition. Before becoming a filmmaker, Tamara worked in the TV business at renowned networks such as NBCUniversal, BET, and HBO. She is a proud alumna of Penn State and can be found inhaling the fragrances of the world whenever she's not working.
When I first learned that Black women in the United States were two to three times more likely to die from pregnancy-related causes, I was watching a widowed African American father dance in a living room with his newborn. It was a beautiful image tainted by a haunting truth: the mother of the newborn had passed shortly after childbirth. Upon delving deeper, I realized that this terrifying disparity was something not talked about nor addressed enough.
Even further, as a budding filmmaker, sister, and WOC, it dawned on me that there was a gap in the horror genre in capturing the real-life horrors of those in my community - but especially Black women. I created this story to be that voice, further amplifying it via the lens of a sister's love.