Private Project

A Worthless Man

After a traumatic assault, Johnny Davis (ALFIE STEWART) must decide how to continue with his night. Aided and challenged by the voice of his best friend, Gaby (ELIZABETH CHU), Johnny's sense of integrity is questioned and re-moulded in this cerebral take on modern day, British masculinity.

  • Prasanna Sellathurai
    Director
    Channel 4's "How To Be A Person", An Alien Voice, Falling, Two For One
  • Prasanna Sellathurai
    Writer
    Channel 4's "How To Be A Person", An Alien Voice, Falling, Two For One
  • Prasanna Sellathurai
    Producer
    Channel 4's "How To Be A Person", An Alien Voice, Falling, Two For One
  • Alfie Stewart
    Key Cast
    "Johnny Davis"
    The Outpost, Fry-Up, Firecrackers
  • Elizabeth Chu
    Key Cast
    "Gaby Ho"
    Holby City, Channel 4's "How To Be A Person",
  • Richmond Nkinki
    Key Cast
    "The Figure"
  • James Lahaise
    Cinematographer
  • Mehzeb Chowdhury
    Colourist
    Downtime, Remind Me Yesterday, Two For One, Falling,
  • Project Type:
    Experimental, Short
  • Runtime:
    6 minutes 14 seconds
  • Completion Date:
    July 26, 2022
  • Production Budget:
    0 USD
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    4:3
  • Film Color:
    Black & White
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Prasanna Sellathurai

Prasanna Sellathurai is an award winning writer, director, producer and VFX artist. His film "An Alien Voice", made during the first lockdown period, won 1st place in the Sundance Institute's Collab Film Challenge, winning him a mentorship with Sundance Advisor Trey Ellis.

Most recently, he has worked as the assistant to directors Charlotte Regan, Alfonso Cuaron and Marc Munden. With each of these directors he has spent a significant amount of time learning and understanding their approach to filmmaking. He currently works in development at New Regency TV.

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