A Fistful of Bullets

After a dilligence belonging to one of the richest men in the country is robbed by a bandit, a bounty hunter, a marshall and a sadistic general go on a quest full of blood and violence.

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"A Fistful of Bullets" is a homage to the Spaghetti Western genre.

  • Jerzy P. Suchocki
    Writer
  • Project Type:
    Screenplay
  • Genres:
    Western, action, adventure, dark comedy, historical
  • Number of Pages:
    112
  • Country of Origin:
    Mexico
  • Language:
    English
  • First-time Screenwriter:
    No
  • Student Project:
    No
  • Tatras International Film Festival
    Vysoké Tatry, Prešovský kraj 059 60
    February 1, 2024
    Best Feature Screenplay
Writer Biography - Jerzy P. Suchocki

Jerzy P. Suchocki is an award-winner screenwriter and director working on his first feature, a horror comedy called How to Expose Possible Vampires (And Not Get Killed in the Process).

A self-taught person, he has always been in love with films and is convinced that they are the best way to create communication and empathy among people.

Besides writing screenplays (often about delusional dreamers trying to find their place in the world), Jerzy is also a novelist and script consultant for different companies and contests.

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Writer Statement

Western movies are a timeless genre. Even though they don’t have the same strength they once did, there is still a solid audience for them, not only in the United States but across the world. My dad was Polish and I’m Mexican-Polish, and we always loved to see a good western, whether it be a John Wayne classic or even more revisionist, intense projects such as Django Unchained. The Western genre talks to its global audience through universal subjects such as protecting the ones you care about, good vs evil, or the desperation and struggle to survive. This, for me, is what makes it the most appealing subgenre of the action genre, and if it plays its cards well, it can become an instant classic.

What makes A Fistful of Bullets appealing isn’t just its heavy action or dark humor, but a social commentary that is very relevant in this time and age. That is, the way rich people made their fortune by destroying small communities. That’s universal. That doesn’t only happen in the United States, but across the world and it’s something many people will be able to relate to. In the script, we follow two groups of characters – one whose lives have been destroyed by greedy decisions and the people who made them. On one side, we have Al Stone, a Mexican bandit who robs a diligence so he can get revenge on the man who destroyed his town and killed his mother. Then we have Ichabod Smith, an African-American man who even though became free, ended up losing his family during the Civil War. And then there is Hatchet, a young Navajo girl whose tribe was massacred by a corrupt general, who is working with the same man Al is seeking vengeance against. These three characters come as our antiheroes while dealing with Derek Milton, a cruel U.S. Marshall with no regard for human life, General Rush, the man who killed Hatchet’s tribe, and Donald Stephenson, the rich white man who caused both Al’s and Hatchet’s suffering. So, as you can see, the script tackles some strong subjects that are being heavily discussed right now, and that’s what makes it a relevant option for the market.

Through its action-packed story, A Fistful of Bullets offers enough entertainment (and fun) that will keep its audience hooked, while its diverse cast and deeper subjects will help it reach a wider audience. This, alongside an ending that will leave you with a smile as all the bad guys are defeated and justice gets made, and a cast of cool, complex characters that could bring some known faces to play them, make A Fistful of Bullets the kind of Western that we need right now.