Sway
Sway is a non-narrative computer generated film that celebrates body hair and rock gods.
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Faiyaz JafriDirectorThis Ain't Disneyland, Disconnector, Cyclone forever, Planet Utero, Baby I Love You, Hello Bambi
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Faiyaz JafriWriterThis Ain't Disneyland, Disconnector, Cyclone forever, Planet Utero, Baby I Love You, Hello Bambi
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Faiyaz JafriProducerThis Ain't Disneyland, Disconnector, Cyclone forever, Planet Utero, Baby I Love You, Hello Bambi
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Project Type:Animation, Experimental
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Runtime:8 minutes 10 seconds
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Completion Date:January 25, 2016
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Production Budget:0 USD
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Country of Origin:Hong Kong
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Athens AnimfestAthens
Greece
April 11, 2016 -
Elche International Independent FilmAlicante
Spain
July 1, 2016
Semi-Finalist -
International Animation Festival Fest AncaZilina
Slovakia
July 21, 2016 -
Odense Film FestivalOdense
Denmark
August 31, 2016 -
SupernovaDenver
United States
September 24, 2016 -
Boston Short Film FestivalBoston
United States
October 10, 2016 -
AnimaldiçoadosSao Paulo
Brazil
September 17, 2016 -
AnimaldiçoadosRio de Janeiro
Brazil
September 1, 2016 -
Linoleum International Contemporary Animation and Media-Art FestivalKiev
Ukraine
September 1, 2016 -
Verona International Film FestivalVerona
Italy
September 1, 2016
New Vision Award -
FILE Electronic Language International FestivalSao Paulo
Brazil
July 17, 2017 -
VIS Vienna Shorts FestivalVienna
Austria -
Short Filmfestival RoosendaalRoosendaal
Netherlands
September 29, 2017
Faiyaz Jafri is an artist and film maker, born and raised in rural Holland of Dutch and Pakistani descent.
Jafri’s art explores Jungian archetypes in the modern world, distilling the pop references of mass media and global popular culture into a visual shorthand of neo-archetypes.
Realizing early on that a computer could draw a straighter line than he ever could, Jafri started using computers as soon as the technology became more readily available. In 1987 he began making his first illustrations on an Apple computer using basic vector imaging software. Cumbersome and limited as these programs may seem now, they were perfect for Jafri’s already pictographic style. As the technology evolved, his work developed from flat line art into a stripped-down 3D computer graphics style he calls hyper-unrealism.
Despite the endless possibilities offered by computers today, he stays close to his subject, leaving out unnecessary frills and extras until he’s left with an image that is unambiguous and almost obscene in it’s blunt power.