Nicabob
A lonely teenager inadvertently makes a real human connection when he shuts down his Youtube channel after haters attack him.
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Daneeta Loretta JacksonDirectorDestiny lives Down the Road, Mr. Joe lives Alone, Mrs. Carmella Prays, Tokyo Cowboys
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Patrick JacksonDirectorDestiny lives Down the Road, Mr. Joe lives Alone, Mrs. Carmella Prays, Tokyo Cowboys
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Daneeta Loretta JacksonWriterDestiny lives Down the Road, Destiny is an Outlaw, Destiny is a Gangster, Thicker than Water
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Daneeta Loretta JacksonProducerTokyo Cowboys, Destiny lives Down the Road, Mr. Joe lives Alone, Mrs. Carmella Prays, Little Baby Eyes
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Patrick JacksonProducerTokyo Cowboys, Destiny lives Down the Road, Mr. Joe lives Alone, Mrs. Carmella Prays, Little Baby Eyes
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Nicolaas MiglioreKey CastLittle Baby eyes
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Lawren NuccioKey CastDestiny lives Down the Road
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Shyly MorelKey Cast
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Project Type:Short
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Genres:Drama, Hybrid
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Runtime:14 minutes
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Completion Date:August 13, 2017
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Production Budget:38,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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New Orleans Film FestivalNew Orleans
United States
October 15, 2017
North American
Audience Award -
EncountersBristol
United Kingdom
September 20, 2017
World -
Two Short Nights Film FestivalExeter
United Kingdom
November 30, 2017 -
Pontchartrain Film FestivalMandeville, LA
United States
November 4, 2017 -
Three Rivers Film FestivalPittsburgh
United States
January 1, 2018 -
Maryland International Film FestivalHAGERSTOWN
United States
May 5, 2018
Maryland
Official Selection -
Somerville Film FestivalSomerville
United States
July 25, 2018
New England
Best Underground Film -
FilmJamKherson
Ukraine
May 23, 2018
Ukraine
Finalist -
Toronto Arthouse Film FestivalToronto
Canada
September 27, 2018
Canadian -
Amsterdam Independent Film FestivalAmsterdam
Netherlands
September 19, 2018
Netherlands -
Venice Film WeekVenice
Italy
August 28, 2018
Italy -
Vimeo Staff Pic
Daneeta Loretta Jackson and Patrick Jackson are filmmakers, visual artists and transmedia storytellers as well as the Creative Directors and Partners at the New Orleans-based creative content collective known as The ElekTrik Zoo. They have written, produced and directed over 40 short-form narrative, documentary and experimental films, three long-form films, projection art and a variety of commercial, industrial, PSA, branded videos, social media spots and web videos for clients large and small.
Their work has been screened and exhibited in 32 countries around the world.
In 2008, they began several collaborations with local dance and theatre companies including the Reese Johansson Collective and the Chard Gonzalez Dance Theatre to produce a fusion of dance and video projects performed in and out of the city.
Their award-winning narrative film “Destiny lives Down the Road” won Best Louisiana Short at the New Orleans Film Festival and screened internationally at Oscar qualifying festivals such as the London Film Festival and Bristol Brief Encounters among others. The film attracted the curators at the Contemporary Arts Center in New Orleans who commissioned the ElekTrik Zoo to produce “Chalmatia: a fictional place Down the Road,” which was funded by the National Endowment for the Arts and the Louisiana Division of the Arts. The installation included over 400 photographs, 86 text pieces, an hour long film, and an installation component.
Their transmedia work includes the creation of a fictional world located somewhere in Southeast Louisiana called "Down the Road," which can be experienced online and off; a Twitter Bot that engages real people in dialogue around the subject of Childfree women; and collage stories told from the POV of the children of disaster.
A native of Southeast Louisiana, Daneeta lived abroad in Japan and Europe for 15 years and attended the London Film School where she met Patrick who hails from Sweden. They formed the Elektrik Zoo in 2000 and returned to New Orleans in 2008 to tell stories both fiction and documentary that blur the boundaries between made up and truth. They are interested in themes that revolve around stories of female disfunction, developing identity as a girl-child and the essence of the feminine for childfree women past childbearing years.
We attack several intertwined and socially relevant issues in the film: cyber bullying (especially of teens with cognitive disabilities), the over-prescribing of pharmaceuticals, and the increasingly thinning divide between online and offline realities for digital natives. The film aims to open up a dialogue about the confluence of technology, pharmaceuticals and cognitive disorder amongst young people as we witness the rest of the world come on line in the next few years. Through partnerships, we aim to question if there are any corollaries between abundant screen time and cognitive disturbances, whether pharmaceuticals can be replaced in most cases by proper nutrition, exercise and other non invasive techniques, and how technology can be used in a more healthy, non-addictive way.
Kids and teens who suffer from cognitive disorders such as ADHD can find it difficult to express themselves or may express themselves differently. When interacting with internet technology such as vlogging platforms or social media, they find different and unique ways to manifest online. These uses can be fascinating and definitely add to the human conversation in their own right, however, because they are different, they can be marginalized by bullies and shouted down by “trolls.” Their freedom of expression is smothered, and, where they might have incubated a wonderful idea with some time and practice, they give up because the bullying is just too painful.
This is a hybrid piece. It is a cinematic retelling of the experiences of Nicolaas Migliore who plays the title role of Nicabob. The real Nick has been medicated for ADHD since the age of 5. He is now 16, and his goal is to get off the pills by the age of 18 so that he can get a "normal job." The pharmaceuticals have altered his personality in a profound way, and his interaction with the real world and the digital world is seamless.
On top of this real world, we have laid the fiction of “Nicabob.” The use of Greenscreen, Vlogging windows, other screens mixed with the hyper-reality of our unique brand of documentary aesthetic will have the audience questioning what is real (nothing) and what is constructed (everything). We have filmed him both at the top of a pharmaceutical high and at the bottom as he was taking his meds while filming. We arranged filming around his pharmaceutical intake so as to present the reality of his situation in a fictional world.
We want to reframe the discourse around drugging children for cognitive disorders. When Nick was diagnosed, prescribing was the only recommendation by the doctor. Instead of exploring nutritional and exercise alternatives, he was put on a cocktail of pharmaceuticals. If a child doesn't act "right," he gets drugged. If he still doesn't act right, he gets a new cocktail until he becomes a zombie. I'm interested in using this film and connected media to draw attention to the fact that we as a society are over drugging our children. My aim is to partner with anti-drugging organizations to create cross-platform resources and integration. Surely there is a better way.