www.federicafoglia.net
Federica Foglia is a transnational visual artist and writer. She holds a BA in Multimedia Languages and Digital Humanities: History of Art, Theatre, and Cinema from the University of Naples L'Orientale, an MFA in Film from York University, Toronto, and is currently a Ph.D. researcher in Cinema and Media Studies at York University.
She is interested in migration, citizenship and identity, displacement, women of the diaspora, migrant temporalities, and finding a visual language to investigate these experiences.
Her practice revolves around tactile filmmaking, recycled cinema, amateur filmmaking, archives, ecofeminism, and materialist cinema. She works within the domestic space to remediate found-footage movies, via a sculptural approach she intervenes directly on the celluloid body.
Her work engages with the physical qualities of the film medium and the politics of fragmented aesthetics. She is currently working on a project that involves eco-friendly emulsion lifting techniques to remediate 16mm archival films and developing eco-sustainable photographic processes with algae-based materials.
Her works have been exhibited and won awards in several international art galleries and festivals, including Macau Art Garden, Images Festival, Alchemy Film & Moving Image Festival, Anthology Film Archives, Ann Arbor Film Festival, International Kurzfilmtage Oberhausen, Museo de Arte Contemporáneo de Alicante, Bilbao Arte Foundation, Toronto International Film Festival, Antimatter [Media Art], Big Sky Documentary Film Festival, Crossroads San Francisco, Festival du Nouveau Cinema Montreal, REAKTOR Wien, Human Rights Watch Film Festival, Visions in the Nunnery - Whitechapel UK, Groupe Intervention Vidéo Montreal, SCAD Savannah International Film Festival, NYU Orphan Film Symposium, ULTRAcinema Festival Mexico, MIMESIS Documentary Festival, Camerimage, Mostra del Cinema di Pesaro, Torino Film Festival, Friche la Belle de Mai, Centro de Cultura Digital Mexico City, Museo Nitsch Napoli.
Her research has been supported by the Canadian Social Sciences and Humanities Research Council (SSHRC) and received an MFA nomination from the Graduate Program in Cinema and Media Studies (York University) for the Governor General's Gold Medal. She is also the recipient of the 2017 RBC Arts Access Fund Award for Newcomer Artists in Canada.
Golden Arrow for Best Film
SKYSCRAPER FILM
Ribalta Experimental Film Festival
Bologna
2023
Winner of Best Cinematography
Toad, Leaf, Grass, Rock.
Liverpool Underground Film Festival
Liverpool
2020
Special Mention - Documentary Jury
Fantassút
Gulf of Naples Film Festival
Napoli
2017
Premio Mediterraneo
Fantassút
Tracce Cinematografiche
Nettuno
2017
Best Film
Fantassút
Mobgraphia Film Festival
Sau Paolo
2016
College
University of Naples - L’Orientale
History of Art, Theatre and Cinema
20092012
College
York University
Master Fine Arts - Film
20192021
College
York University
P.hD. Cinema & Media Studies
2021Present
“Little plots and stories, acted out and screened, can't possibly be called cinema. They have nothing whatever to do with cinema. A cinematographic work is above all a work which would not be possible in any other art form. In other words. it can be created by means of cinema, and cinema alone”
― Andrei Tarkovsky, Journal 1970-1986
www.federicafoglia.net
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