I'm fascinated by that sweet spot where cinematic language meets digital innovation. It's like being a chef who knows all the classical French techniques but can't help experimenting with molecular gastronomy. Each project is a chance to ask "what if?" What if we treated CGI like practical effects? What if we approached commercial projects like experimental films? What if we let accidents in the render farm guide our storytelling?

I bring this approach to everything from creating immersive visuals for Beyoncé's Renaissance World Tour to directing campaigns for global brands like Booking.com and T-Mobile.

My work spans concert visuals that moved 2.7 million people across three continents, commercial narratives that bend reality just enough, and award-winning short films that question what's possible. Whether I'm collaborating with electronic music pioneers like Max Cooper and Lost Frequencies, or crafting visual stories for brands, I'm always looking for ways to merge classical filmmaking with digital innovation.

Drawing inspiration from altered states of consciousness and human connection, I create immersive experiences that invite viewers to step into different realms of perception. It's about taking two ideas that have no business being together, adding some technical finesse, and watching them create something entirely new.