The Wild Duck

The story of the illegal hunting of the wild ducks in Miankaleh (one of the northern cities of Iran) causes a serious confrontation between three characters.

  • Ghazaleh Toloo Hosseini
    Director
    She has a degree in software engineering from Tehran and has been writing, directing and acting in (Iranian theatre and cinema) since 2007.
  • Morteza Vatankhah
    Writer
  • Amir Esmaeilzadeh Tabassi
    Producer
  • AmirAli Gholipoor
    Key Cast
    "Farhood"
  • Amir Esmaeilzadeh Tabassi
    Key Cast
    "alen"
  • ghazaleh toloo hosseini
    Key Cast
    "hasti"
  • milad sahragard
    Key Cast
    "mohammad"
  • Project Title (Original Language):
    مرغابی وحشی
  • Project Type:
    Short
  • Runtime:
    15 minutes
  • Completion Date:
    October 10, 2021
  • Production Budget:
    3,200 USD
  • Country of Origin:
    Iran, Islamic Republic of
  • Country of Filming:
    Iran, Islamic Republic of
  • Language:
    English, Persian
  • Shooting Format:
    digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Ghazaleh Toloo Hosseini

Ghazaleh Toloo Hosseini (Ghazal Hosseini)
Born on November 3, 1988 in Tehran

She has a degree in software engineering from Tehran and has been writing, directing and acting in (Iranian theatre and cinema) since 2007.

From Ghazaleh's artistic activities as a theatre director could mention Haari, Tangerine season, Where's Mr. Manson, The Icy Land of Narnia, Forbidden House, We are alive, and Twenty-five percent, has been performed in Tehran theatres.

She has also made several short films to date:
Blister(Taval), Endless (Bipayan), Snowflake (Barfak) and Makeup Room

The short film: Hands that smelled like dolls, has already agreed to attend:
Slam presented by the madlab post short film
Tracce cinematografiche film festival
cinevoyage international film festival

Add Director Biography
Director Statement

The entry of the art community into the important issue of the environment is undoubtedly necessary and vital, but mere productions that in various ways in this field sometimes use clichés and repetitions can not support the important environmental issue. He reduced animals, because after rooting out the problem, man is an undeniable and, of course, unique part of biological life, and the natural cycle of the earth in a vast mechanism as much as it needs nature and animals; Man is also needed to balance nature. Therefore, a semantic combination of nature, animal, bird and human in the form of a social narrative can have descriptive and effects on the mind of today's intelligent audience, which is tired of repetition. Therefore, the screenplay (The Wild Duck) intends to explain the direct relationship of the psycho-social in its confrontation with the environment.