Private Project

That Bolex Thing

The Bolex is a Swiss-made film camera that played a pivotal role in the development of independent and avant-garde filmmaking. Introduced in the 1920’s, the camera's lightweight and portable design made it an accessible choice for filmmakers who wanted to break away from the constraints of large studio productions. The affordable price point democratized the filmmaking process, enabling filmmakers to explore new creative avenues and push the boundaries of the art of cinema.

The aesthetic look produced by the Bolex is equally unique and significant. The 16mm images display a textured and grainy image quality. The resulting visuals are synonymous with the visionary and poetic aesthetic of artist inspired filmmaking.

In addition to its iconic status, the Bolex contains a recurring and noticeable quirk. In order to initiate or conclude the filming process, the hand-cranked camera relies on a complex harmony of mechanical design. As the gears get up to speed, the internal mechanism ramps and fluctuates. This technical operation produces a distinctive oscillation that is noticeably imprinted on the film plane. For the span of several seconds, the film captures an ethereal canvas of color and light. Through this process, the Bolex successfully envisions the random crystallization that is inherent within the motion image.

That Bolex Thing highlights this fleeting occurrence of visual abstraction. The source footage is composed of brief instances containing the filmic “thing”. Within this tapestry, the subject matter offers a contrast between current and earlier devices of image capture. There is little doubt that modern camera technology provides unprecedented levels of efficiency and convenience. However, amidst the dependence on new technology, the Bolex maintains a timeless allure and magnetism. This glorious machine provides a genuine reminder that technological progress is underscored by nostalgic obsolescence. Ultimately, That Bolex Thing contextualizes the ongoing interplay between innovation and tradition.

  • Paul Echeverria
    Director
  • Project Type:
    Experimental, Short
  • Genres:
    16mm, Shot on Film
  • Runtime:
    3 minutes 30 seconds
  • Completion Date:
    April 1, 2024
  • Country of Origin:
    United States
  • Country of Filming:
    Portugal
  • Shooting Format:
    16mm
  • Aspect Ratio:
    4:3
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Paul Echeverria

Paul Echeverria is a filmmaker, digital artist and educator. His research and creative practice examine the formative dynamics between childhood, parenthood and the family structure. In addition, he produces work that contemplates the inevitable collision between humans and technology. Echeverria works with multiple forms of media, including film, video, performance, augmented/virtual reality, social media, data manipulation, podcasting and e-literature.

Echeverria is an Assistant Professor of Digital and Emerging Media Production at Wayne State University in Detroit, Michigan. His films and digital works have been exhibited at multiple venues, including the Museum of Modern Art (MoMA), Mimesis Documentary Festival, Media City Film Festival, Other Cinema, the FRACTO Experimental Film Encounter, VASTLAB Experimental Festival, the Dallas Medianale, Festival Ecrã, the Festival Internacional de Videoarte de Camagüey, Experiments in Cinema, the NY Media Center by IFP, The Wrong Biennale, the Bronx Museum of the Arts, Anthology Film Archives, and the Angelika Film Center. An ongoing archive of works can be viewed at www.paulanthonyamator.com

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