Private Project

Stark Electric Jesus

After the historical verdict of Indian Supreme Court on IPC 377, an unnatural man finds himself in the cage of hallucination. He runs his night and days with his "unnatural" dream and fantasy like an outmoded gun dreams to have its last fire from its own eye. He dreams about the freedom of love like Hitler once has had for his Germany. At the end of the world beyond the right or wrong there has a garden where the man meets with his love finally as every lover's praise to meet with their love.

  • Hyash Tanmoy
    Director
    An obsolete altar
  • Mrigankasekhar Ganguly
    Director
    An obsolete altar
  • Hyash Tanmoy
    Writer
    An obsolete altar
  • Mrigankasekhar Ganguly
    Writer
    An obsolete altar
  • Hyash Tanmoy
    Producer
    An obsolete altar
  • Runtime:
    12 minutes 7 seconds
  • Production Budget:
    850 USD
  • Country of Origin:
    India
  • Country of Filming:
    India
  • Shooting Format:
    HD
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Hyash Tanmoy, Mrigankasekhar Ganguly

Hyash identifies himself as a multidisciplinary art practitioner, creative entrepreneur and socio-cultural artist with a diverse approach to gender equality, non-discrimination, culture and heritage conservation, historical and architectural preservation, socio-economic improvement through multilayered human race development. His majors are surrounded by new media, cinema, fashion, photography, research and archival management, curation and idealization.
His films and projects have been exhibited and honored in more than 50 festivals around the world.
He is currently working on the cinematic movement through the research-oriented art and multidisciplinary institution ZERO DEGREE ARTS based out of Kolkata, India.

Add Director Biography
Director Statement

Claustrophobia is a kind of desire. This is just a wish of detachment from the materialistic world. More than a run, it is all about travel to no yonder. Stark Electric Jesus has never been tried to get involved in a topic of freedom. From the initial, it was always a practical practice. Shortly, it is more than a bizarre, to the lovely socialized living hood. Scenes from the film drenched into the harsh eternal verities. Each aspect of the film has extreme unperturbed evidence. The film is against the morality of unbearable tolerance of unscientific Prejudice. As per the film, everyone belongs to the world is superior. No one is marginal or grated for clemency. Stark Electric Jesus belongs in between good and bad, aside from any definition. There was no character in the film we have. From the spectacle to the skull of the late dog were participants or travelers in this journey. Stark is a celebration of fantasies. No reality belongs beyond the fantasy. The film is an attempt to let the people get choleric for love. The film is all about anger, violence, and truth. We observe the desire of sex. We were wandering with the grievous pain of being ostracized. We were getting mad at the time of making the film, maybe still we are. We are living with extravagant anger. How could law and court encounter on someone’s desire and love? My existence becomes questioned. But what we captured it was all about a wish of unwritten myths. When we were in the process of making the film, we bathe with the color black. We just wanted to remember the world that no people belong to any community. All we have is just an identity that could be anything as we wish to convey to ourselves. Stark Electric Jesus is a film of all about the experiments of human habitats and their wish or love. The film is a joyous celebration of various dreams colored with crimson red. Beyond all the uncertain explanations the film is a chaotic yell for being together.