Nathan Meltz uses printmaking, animation, sculpture, and performance to comment on the infiltration of technology into every facet of life, from politics and food, to family and war.
His solo exhibitions include the gallery at Atelier Presse Papier, Trois-Rivières, Canada, the Shircliff Gallery at Vincennes University, Indiana, Southern Illinois University’s Vergette Gallery, GRIDSPACE (NYC), the University of Florida – Jacksonville’s Andrew Brest Gallery, and more. His international exhibitions include the 2024 Taiwan International Print Biennial, the 16th International Printmaking Triennial Graphica Creativa Triennial, Jyväskylä Art Museum, Finland, and the 8th edition of the Graphic Art Biennial of Szeklerland, Romania. His art has been featured in publications including Art in Print, Printeresting, and the Mid America Print Council Journal. His series “Strangling the Fascist Viper” has received juror awards from the Louisiana International Printmaking Exhibition and the Political Impressions exhibition at the Rochester Institute of Technology, the Printworks Award from Artists Image Resource, Pittsburgh PA, and the Prix de Print award from Art in Print Magazine.
  • Writer (2 Credits)
    The Golem's Return2025
    Animation, Experimental, Short
    Fracture in the Crystal City2015
    Animation, Short
  • Director (2 Credits)
    The Golem's Return2025
    Animation, Experimental, Short
    Fracture in the Crystal City2015
    Animation, Short
  • Acting (1 Credit)
    Fracture in the Crystal City2015
    Animation, Short
  • Producer (1 Credit)
    Fracture in the Crystal City2015
    Animation, Short
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