Mobile Devices
American bison have roamed the North American plains for thousands of years. Modest historical estimates suggest that, at one point, 24-million bison inhabited the continent. This number began to decrease with the arrival of non-native settlers and the European subspecies Equus ferus caballus, otherwise known as the domesticated horse. The introduction of the horse initiated an existential threat for the bison. Horses provided humans with increased range and speed. Although humans were responsible for the act of hunting, the destruction of the bison was vastly influenced by the arrival of the horse.
By the late 1800’s, the North American bison population was close to extinction. During this period, the presence of the horse, once again, originated a profound and lasting cultural influence. In the 1870’s, Eadweard Muybridge captured multiple photographs of the prize horse Occident. The photographs were highly influential in the development of motion picture technology and, by extension, introduced humans to modern forms of media technology. Once more, the fluid movement of the horse would have a dynamic impact on how humans related to the natural world.
The arrival of digital technology has augmented our relationship with space, time, and memory. Mobile Devices questions this delicate relationship between digital technology and humans. Using original photography by Eadweard Muybridge, the short film uses glitch-generated visuals to illustrate our accelerated acceptance of technology. Will these unassuming technological devices continue to enhance our current state of existence or will they expedite the destruction of our precious human nature?
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Paul EcheverriaDirector
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Project Type:Animation, Experimental, Short
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Completion Date:August 25, 2017
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Production Budget:0 USD
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Country of Origin:United States
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Experiments in Cinema 13.6Albuquerque, NM
Official Selection -
Techne Lab at Made in NY Media Center by IFPNew York, NY
Curatorial Invitation -
Festival Internacional de Videoarte de CamagüeyCamagüey
Cuba
Official Selection -
Southern Colorado Film FestivalAlamosa, CO
Official Selection -
Landmarks Screening at Breckenridge CreatesBreckenridge, CO
Curatorial Invitation -
Alternative Film FestivalToronto, ON
Canada
Finalist -
Hijack! Screening SeriesNew York NY
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Amator 03: Art + Cinema + BrooklynBrooklyn, NY
Paul Echeverria is a filmmaker, digital artist, and educator. His research and creative practice examine the formative dynamics between childhood, parenthood, and the family structure. In addition, he produces work that contemplates the inevitable collision between humans and technology.
Echeverria's films, installations, and performances have been exhibited at multiple venues including MoMA, the Bronx Museum of the Arts, Angelika Film Center, Anthology Film Archives, Other Cinema, FRACTO Experimental Film Encounter, Festival Internacional de Videoarte de Camagüey, Experiments in Cinema, and the Echo Park Film Center.
He currently serves as board member for the Millennium Film Workshop and has worked on curatorial committees for the Ann Arbor Film Festival and Experiments in Cinema. He is an Assistant Professor of Digital and Emerging Media at Wayne State University.