Experiencing Interruptions?

Hindsight

A look at the fragility of our roots, the impermanence of our cultures, and the transience of our freedoms through the lens of a traveling VHS camera in the late 1990s. Hindsight offers a visual meditation on the memories of two young Ukrainians emerging from the fall of the Iron Curtain.

  • Max Rykov
    Director
  • Max Rykov
    Writer
  • Anna Rykova
    Cinematography
  • Igor Rykov
    Cinematography
  • Project Type:
    Documentary, Experimental
  • Runtime:
    18 minutes
  • Completion Date:
    February 12, 2024
  • Country of Origin:
    Ukraine, United States
  • Country of Filming:
    Cambodia, Cuba, France, India, Thailand, Ukraine, United Kingdom, Viet Nam
  • Language:
    English, Russian, Ukrainian
  • Shooting Format:
    Hi8 / VHS
  • Aspect Ratio:
    4:3
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Max Rykov

Max Rykov is a filmmaker and multimedia artist with a background in video and digital media production. He earned a B.S. in Digital Media Production from Florida State University and worked as Head Video Producer at ARTECHOUSE, where his work was featured by the United Nations Foundation, Pantone Color Institute, Forbes, and The New York Times.

Since Russia’s invasion of Ukraine, he has shifted his focus to impact-driven storytelling, directing two independent documentaries in Poland about displaced Ukrainians. His latest film, Hindsight, an archival-based essay documentary exploring cultural memory, migration, and identity, has received awards at Ouray, Big Sky, IndieX, and Alexandria Film Festivals. He also creates multimedia video installations, including Monument: 8 channels of discarded land and time, exhibited at Superblue during Chroma Art and Film Festival.

Originally from Ukraine, Rykov is currently based in Washington, D.C., and continues to explore themes of history, displacement, and cultural transformation through film and new media.

Add Director Biography
Director Statement

This essay film is built of VHS material shot by my parents that was digitized on my most recent trip home to Kyiv before the war. Since then, due to martial law, I am not able to travel home freely. My parents, on the other hand, did not have the opportunity to travel outside of the Soviet Union until their 20s. Following the collapse of the USSR, they took advantage of newly opened borders to explore the wider world. Hindsight takes the viewer on a journey from Ukraine’s post communist heartland, through Vietnam, Cambodia, India, and westward to the post revolutionary Republic of Cuba. In the process, Hindsight explores rugged hill tribes, stateless floating villages and even the monastic traditions of Thailand through the lens of Ukrainian emigrants.

Hindsight delves into the elusive nature of roots and cultural values – what they meant then and what they mean now. Set against the backdrop of Kyiv, my birthplace, the film prompts contemplation on identity, belonging, and the intangible threads that bind humanity across generations and geographical boundaries.