Hearing in the Bardo
Referencing the Bardo Thodol (Tibetan Book of the Dead), 'Hearing in the Bardo' is a journey through the void between death and rebirth.
Through capturing the landscape and Sherpa people of Nepal from an intimate perspective, the film focuses on the Tibetan Buddhist belief in reincarnation, blending the boundary between documentary and fiction. It tells the story of a spirit's journey through the transitional realm between death and rebirth. Described by Werner Herzog as "A beautiful film", 'Hearing in the Bardo' is a visual and audible journey unlike many shorts.
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Isaac McCardleDirector
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Isaac McCardleWriter
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Sonam TseringWriter
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Isaac McCardleProducer
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Tenzin PhuntsokKey Cast
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Alexis DaumerieMusic and Composition
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Timo KingMusic and Composition
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Tara BaggottMusic and Composition
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Christopher LeverMusic and Composition
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Tenzin PhuntsokMusic and Composition
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Robert Swansbury-HoggVisual Effects
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Iain PillingerVisual Effects
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Jack O'DowdVisual Effects
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Isaac McCardleEdit and Sound Design
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Isaac McCardleCamera Operator
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Isaac McCardleSound Recording
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Jono SargentSound Recording
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Project Type:Documentary, Short
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Genres:Spiritual, Experimental, Art-House, Drama
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Runtime:10 minutes
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Completion Date:February 25, 2014
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Production Budget:3,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:Nepal
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Language:Tibetan
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Free Spirit Film FestivalMcLeod Ganj, India
October 26, 2014 -
San Francisco Film AwarsSan Francisco, USA
March 29, 2015
Award for Excellence
Isaac McCardle is from Bristol in the South West of England. In August 2014 he attended Werner Herzog's 'Rogue FIlm School' in Los Angeles having been invited by the Bavarian film-maker to attend after viewing his short film, 'Hearing in the Bardo', his first film as director. After graduating with first-class honours in Film-making and Creative Media, McCardle worked as a video and sound editor on award-winning documentaries, short and feature length productions, natural history and commercials for Samsung, the British Library and North Face, among others.
My time with Herzog and the 'Rogue Film School' imbued me with a clear sense of purpose. To make films that only I can imagine. Films that have something to say and that are important to me.