Final Draft, the Industry Standard Screenwriting Software, offers the annual Big Break Contest – a screenwriting competition that has been launching careers for over twenty years.

Finalists and winners have signed with professional representation. Many have had scripts optioned, sold and produced. Others have found full-time work in television.

Prizes include a trip to Hollywood to meet with industry professionals, meeting preparation with top career coach Lee Jessup, $10,000 in cash, a brand new Dell laptop, an iPad, a New York Film Academy Fellowship, and more! Is this YOUR year?

2026 JURY

Alex Barnes
Development Executive, Synchrony Artists, Collective Pictures

Andrew Bergamo
Director of Development, The Donners' Company

Brian Spink
Literary Manager/Producer, Realm

Christine Coggins
Literary Manager, Heroes & Villains Entertainment

Gabriel Mena
Manager, M88

Gabrielle Utsey
Producer

Jason Lubin
Manager & Producer, First Story Entertainment

Jeff Portnoy
Literary Manager, Bellevue Productions

Jen Au
Manager, Jen Au Management

Jen Ray
Producer, Lylas Pictures

Jon Hersh
Literary Manager, Night Drive Management

Kaela Barnes
Director of Drama Development, HBO MAX

Lauren Chavez-Myers
TV Development Executive, Hasbro Entertainment

Lisa Alford
VP of Development, Evoke Entertainment

Loni Rodgers
Producer

Mireia Vilanova
Producer, Cartuna

Ori Chevio
TV Development Coordinator, Fifth Season

Patrick White
Creative Executive, LIT Entertainment Group

Peter Katz
Manager, Story Driven

Shelby Eggers
Literary Manager, LIT Entertainment Group

Trent Anderson
Literary Head, Luber Roklin Entertainment

Wendy Calhoun
Writer/Producer

Zach Bianco
Development Exec. / Producer, Feigco Entertainment

Zack Zucker
Manager & Producer, Bellevue Productions

2 Grand Prize Winners receive:

- $10,000 cash
- An Apple iPad
- A trip to Hollywood* with round trip airfare to Los Angeles plus 3 night hotel accommodations
- Dell XPS Laptop
- Meetings With Managers, Producers and Executives. Attend networking events and meet the industry.
- New York Film Academy: attend multi-week online immersive program in both film & television writing
- 1 year subscription to ScriptHop
- Writer brand assessment and 60-Minute Career Prep Webinar with screenwriting career coach Lee Jessup
- Copy of Save The Cat! Story Structure Software and book
- Signed copy of The Screenwriter’s Bible by Dave Trottier
- Final Draft Go™ App for iPhone and iPad.

Additional Prizes For TV Grand Prize Winner:

- Script Consultation from Jen Grisanti Inc.
- One-hour career coaching session with Carole Kirschner to create a personalized game plan for leveraging the contest win.

Each Feature And TV Award Winner receives:

- $1,000 Cash
- Final Draft 13
- New York Film Academy - Attend multi-week online immersive program in both film & television writing
- 5 Career coaching sessions with screenwriting coach Lee Jessup
- 60-minute webinar with screenwriting career coach Lee Jessup on how to capitalize on your Big Break win
- Participation in a 6-Week Teleseminar from Jen Grisanti Inc.
- One year subscription of MasterWriter software
- Free Big Break Contest entry for 2027
- Script coverage from Big Break readers
- A Copy of Save The Cat! Strikes Back by screenwriter Blake Snyder
- 6 month subscription to ScriptHop

Short Script Winner Receives:
- $5,000 Cash
- Final Draft 13
- Free Big Break Contest entry for 2027
- 6 month subscription to ScriptHop
- One year subscription of MasterWriter software

Diversity Feature & TV Category Winners Receive:

- One-on-one consultation with Erika Alexander of Color Farm Media on development and producing


1. The Big Break Screenwriting Contest only accepts online entry of feature film, television, and short screenplays (original pilot scripts only). Spec TV screenplays of pre-existing shows (for example, a spec script of an episode of 'The Office') are not eligible.
2. No printed scripts will be accepted.
3. To enter your script electronically, you must submit your screenplay in PDF format. You are not required to use Final Draft in order to enter the Contest.
4. Once your script has been submitted, replacement files will not be accepted.
5. All submissions should consist of:
– Full-length screenplays (approximately 80 to 120 pages);
– Teleplays (hour-long approximately 40 to 70 pages, half hour approximately 20 to 35 pages);
– Short script screenplays (maximum 20 pages).
6. Any entries over 150 pages WILL BE DISQUALIFIED. For feature and teleplay, entries less than 20 pages that are clearly not a screenplay (comic books, etc.) will also be disqualified.
7. All necessary information is captured upon entry of digital submissions, so title pages should be removed or contact information must be deleted from the title page. The title of the script will be provided to the reader as part of the file name and in the judging form.
8. Do NOT include personally identifying information (name, etc.) ANYWHERE in your script as this will result in INSTANT DISQUALIFICATION. This includes:
– Writers name, WGA or representation info on the title page;
– Writers name on ANY page of the script;
– Writers name within the script’s file name.
9. The file name of your script should contain your script title only, and no other information.
10. Entry should consist of a screenplay, teleplay, or short script only. Do not include resumes, pitches, synopses, casting suggestions, letters, or other supporting documentation with your submission. Judges will not receive these materials.
The exception is original hour-long and half-hour TV entries, which may include standard supplementary materials, such as lists of recurring characters and future episodes, as part of the screenplay. This information would need to be included within the same file, at the end of the script.
11. Adaptations are not eligible unless the source material was written by the screenwriter of the entry in question or material is in the public domain. Scripts are not eligible if the source material has been sold, produced, or is currently under option to any third party.
12. We do not provide coverage for screenplays entered into the contest, however at the time of entry writers may elect to purchase feedback notes with their submission for an additional fee. Coverage is included as part of the prize package for winning scripts.
13. Entrants who select to receive feedback on their screenplay (feature or pilot) will be given at least 550 words of assessment from a competition reader. Feedback will be automatically emailed to entrants after May 1st upon completion.
14. All submissions are final. Revisions, replacements, or missing pages cannot be accepted. If you wish to submit an updated draft, you may do so as a new entry with a full submission fee. Please double-check your script before submitting.

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  • Thank You, It was an honor to be selected for quarter finals.

    April 2026
  • Sam Li

    It is a great film featival.

    December 2025
  • Paulo Matola

    It was a great experience for me to participate in such a splendid competition. And being a novice and unknown screenwriter, it was incredible to be in the quarterfinals.

    December 2025
  • Excellent competition--thank you so much for awarding my screenplay SHOW RUNNER a quarter finalist.

    December 2025
    Response from festival:

    Thank you K.T. and congratulations!