If there’s one reason why I make films, it’s to make a living by trying to tell stories that touch people in some way. With a single goal: to shine a light on situations I believe are unjust.
I’m thrilled to begin my bio by sharing that my latest film, There’s Still Someone in the Woods, won the Medimed Award for Best Documentary on Memory and currently holds an 8.5 rating on Filmin — something I’m genuinely proud of.
I directed and co-wrote Encara hi ha algú al bosc (There’s Still Someone in the Woods, 2024), a documentary broadcast on TV3, NHK Japan, Filmin, and Amazon Prime. The film has received several awards — including PriMed, the Montreal Independent Film Festival, Terra Gollut, and Espiello Film Festival — and it continues to connect with diverse audiences.
Other works include Conservar la Memòria (2024) for the MAE (Museum of Performing Arts), Art, Espectacle i Vida (TV3, 2023), MORENTE: “Compases, silencios y libertad” (2020), an audiovisual performance at the Picasso Museum in Barcelona, and Food Relations (2020), a documentary exploring gastronomy as a cultural bridge.
As a podcast director, I created No Cardis with Les Can Putades (SOM EVA, 3CAT, YouTube), reaching over 260,000 views across two seasons, and La Mala Memòria (2025), a podcast on historical memory blending interviews, archival sound, and artistic storytelling.
Alongside my audiovisual work, I’ve composed music and designed visuals for theatre productions including Eufòria (2021, Sala Beckett), Beuré de la teva aigua (2023), and Posaré el meu cor en una safata (2020, Teatre Lliure). I’ve also developed ethical advertising campaigns centered on human rights and culture.
If there’s one reason why I make films, it’s to make a living by trying to tell stories that touch people in some way. With a single goal: to shine a light on situations I believe are unjust.
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