...and I Feel Fine
In the near future, a mother leads her family on a hazardous trek through the changing climate to ensure safety for her ill daughter.
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Andrew HallenbergDirector
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Andrew HallenbergWriter
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Tara EngProducer
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Lisa VaccaKey Cast"River Wayward"
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Samantha HallenbergKey Cast"Sam Wayward"
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Chris DawsonKey Cast"Charlie Wayward"
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Andrew HallenbergEditor
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William FowlerAssistant Director
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Cait SchmitzDirector of Photography
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Brian JohnsonGaffer
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Project Type:Short
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Genres:Sci-Fi, Suspence, Slow burn, Environmental
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Runtime:6 minutes
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Completion Date:May 1, 2020
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Production Budget:3,500 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:RED
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:Yes
Andrew is a filmmaker from Ft. Lauderdale, FL who concentrates on editing and post-production practices. His creative non-fiction work pulls influences from street photography, deep funk, documentary, and experimental film. Andrew recently graduated
from Ithaca College with a BFA in Film, Photography, & Visual Arts.
The film comes from a deeply entrenched anxiety surrounding climate change, and its effects on a personal scale. We’re making a film that acknowledges but doesn’t
linger on the physical catastrophes often embellished, and almost celebrated, in Hollywood.
The main characters each represent a contemporary mindset. River embodies
the product of a climate-anxious generation. A babysitter to her husband (Charlie),
and a protector to her daughter (Sam) – River is the gentile yet unapologetic matriarch
of the Wayward family. I grew up in Ft. Lauderdale, FL, fifteen minutes from the
Atlantic Ocean – a force that’s on track to damage and displace my home. This film is
a living realization of my greatest fears. ...and I Feel Fine breaks the visceral disbelief
and apocalypse fatigue propagated by mass media outlets and big budget studios.
The doomsday scenarios thrown up on our screens diverts us from our path to healing.
The film focuses on small-scale tragedy in order to ground the audience rather than
exhausting them. I know it’s only a matter of time before my home is lost to the mercy of
the ocean. With this knowledge, I wonder who this film is for. Is it for me? My family?
Maybe it’s for those who feel helpless, who feel exhausted by constantly making moral
choices that may or may not affect our future. No matter the audience, I want to make
it known that everyone will feel the impact of climate change, no matter the scale.