Bright Black
A desperate painter struggling with artistic and financial hardship pawns his beloved grandfathers armchair. This mundane action propels him on a fantastic journey which transforms his view of reality.
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Rene MaurinDirectorProverb Nr. 14 (2014), Caliber 0.46 (2003), Summa Summarum (2002), Life as from Inside (2000), I saw Elvis! (1999), JunkArt (1998)
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Rene MaurinWriter
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Jožica BlatnikProducer
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Primož PirnatKey Cast
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Lučka PočkajKey Cast
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Branko ŠturbejKey Cast
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Ivo BarišičKey Cast
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Aljoša TernovšekKey Cast
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Max SušnikCinematographer
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Jan LovšeEditor
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Sebastijan DuhMusic
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Rudi JeseničnikSound Mix
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Neža ZinajičArt Designer
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Project Title (Original Language):Svetlo črna
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Project Type:Short, Student
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Genres:Noir Comedy, Tale, Drama
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Runtime:25 minutes 10 seconds
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Completion Date:August 1, 2014
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Production Budget:15,000 EUR
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Country of Origin:Slovenia
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Country of Filming:Slovenia
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Language:Slovenian
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Shooting Format:Digital 2K RAW
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Aspect Ratio:Scope
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes
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11. South East European Film FestivalLos Angeles, USA
May 1, 2016 -
3. Silk Road Film FestivalDublin, Ireland
March 16, 2016
Ireland -
19. George Lindsey UNA Film FestivalFlorence, USA
March 3, 2016
Student Narrative and Best of Show award. -
2. Beeston Film FestivalNottingham, United Kingdom
February 17, 2016
UK -
12. Bronx International Film FestivalNew York, USA
January 26, 2016
New York -
3. New Wave International Film FestivalSofia, Bulgaria
January 15, 2016 -
2. Broken Knuckle Film FestivalNew York, USA
December 24, 2015 -
35 Anniversary VGIK International FestivalMoscow, Russia
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9.International Film festivаl „Prvi kаdаr -9 lives“Sarajevo, Bosnia
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2. First Step International Film FestivalTirana, Albania
November 14, 2015 -
12. Naoussa International Film FestivalNaoussa, Greece
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4. LET'S CEE Film FestivalVienna
October 1, 2015 -
Manaki Brothers International Cinematographers Film FestivalBitola, Macedonia
September 20, 2015 -
21. International Short Film Festival in DramaDrama, Greece
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4. Tetova International Film Festival ODATetova, Macedonia
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11. BUSHO Budapest Shot Film FestivalBudapest, Hungary
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13. IN THE PALACE International Short Film FestivalBalchik, Bolgaria
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21. Palm Springs International ShortFest and Film MarketPalm Springs, USA
June 18, 2015 -
4. Broke International Student Film FestivalDetroit, USA
April 29, 2015 -
62. Belgrade Documentary and Short Film FestivalBelgrade, Serbia
March 24, 2015 -
4. ClujShortsCluj, Romania
March 26, 2015 -
5. Ca'Foscari International Short Film FestivalVenice, Italy
March 19, 2015 -
17. Festival of Slovene FilmPortorož, Slovenia
September 13, 2014 -
University of LjubljanaLjubljana, Slovenia
Prešeren Prize for student achievements 2014
Rene Maurin (*1971) is a Slovene / German director born in ex-Yugoslavia. He attended education in the United States, Austria, Croatia and Slovenia and could be described as swaying between film and theatre medium. After his graduation in theatre directing he filmed a series of documentary films for the Slovenian national Television and won the attention of the film critics with films such as I saw Elvis! (1999) and Life, as from inside (2000). In the next decade, he directed some theatre performances which reaped wide acclaim and selected awards in Slovenia and abroad. After wishing to start focusing on fiction film for a longer while, he enrolled the master course of film directing at the Academy for Theatre, Radio, Film and Television in Ljubljana in 2012. Bright Black is his Master thesis film and his first fiction film.
Director's Filmography:
2014 Bright Black, short fiction, AGRFT Slovenia, 25’
2011 Proverb Nr. 14, short silent, AGRFT Slovenia, 7’
2003 Caliber 0.46, documentary, TV Slovenia, 25’
2002 Summa Summarum, documentary, TV Slovenia, 50’
2000 Life, As from Inside, documentary, TV Slovenia, 50’
1999 I saw Elvis!, documentary, TV Slovenia, 25’
1989 JunkArt, documentary, TV Slovenia, 25’
I generally always strived to pursue a particular social reflection using whichever weapon available. However, I soon started sensing that faithful portraits of society fail at deepening the discourse and once again saturate the audience with realism widely served via media. Additionally, the depiction and the analysis rarely offer a solution to the issues addressed. Apparently art can not fundamentally change the society, yet it may attempt more than a faithful mirror - a brainchild of the technical means of reproduction. Perhaps a rotation of the subject or an attitude which can suggest at least a temporal resolve.
Doomed to the inner quarrel between contempt and adoration, philanthropy and misanthropy and similar nuisances, I try to remain a gloating voyeur and a reporting witness of the overlooked. Or to entertain and distract, without breaching the feeble contract with own standards.