{"id":1555,"date":"2025-05-28T16:43:03","date_gmt":"2025-05-28T16:43:03","guid":{"rendered":"https:\/\/filmfreeway.com\/articles\/?p=1555"},"modified":"2025-05-28T16:43:04","modified_gmt":"2025-05-28T16:43:04","slug":"10-films-to-watch-from-cannes-2025","status":"publish","type":"post","link":"https:\/\/filmfreeway.com\/articles\/10-films-to-watch-from-cannes-2025\/","title":{"rendered":"10 Films to Watch From Cannes 2025"},"content":{"rendered":"\n<p>From the unnerving sights and sounds of \u201cAnatomy of a Fall,\u201d \u201cThe Zone of Interest,\u201d and \u201cKillers of the Flower Moon,\u201d to the garish genre delights of \u201cThe Substance\u201d and \u201cEmilia P\u00e9rez,\u201d the Cannes Film Festival has become increasingly inseparable from year-end movie conversations. Of the event\u2019s last five big winners\u2014recipients of the coveted Palme d\u2019Or, or the Golden Palm\u2014four have gone on to be nominated for best picture at the Academy Awards. Two of them even won: Bong Joon Ho\u2019s class thriller \u201cParasite\u201d in 2020, and Sean Baker\u2019s neorealist fairytale \u201cAnora\u201d earlier this year.<\/p>\n\n\n\n<p>Cannes 2025 continues to gain traction as a launchpad for widely acclaimed and potentially Oscar-worthy films. Despite this year\u2019s fest featuring zero English-language award winners in the main competition, a number of highly anticipated works are likely to make waves once they hit your local cinemas.\u00a0<\/p>\n\n\n\n<p>Only one film on this list has an announced release date, but the majority were acquired for North American distribution either during or before the festival, all but ensuring Cannes\u2019 continued place as a conversation centerpiece for mainstream viewers over the coming year.\u00a0\u00a0<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cDie, My Love\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>Purchased by \u201cThe Substance\u201d distributor Mubi for an enormous $24 million price tag, Lynne Ramsay\u2019s first feature since 2017\u2019s \u201cYou Were Never Really Here\u201d is an unpredictable romantic drama buoyed by Jennifer Lawrence\u2019s and Robert Pattinson\u2019s star power. As young parents who have recently moved into a rural home, their slowly crumbling relationship is stress-tested by miscommunication and domestic malaise, leading to a brash film with animalistic lead performances, and a soundtrack of nonstop toe-tappers.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"Die, My Love clip official from Cannes Film Festival 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/gf1OVw-zUxM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cHighest 2 Lowest\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>A remake of Akira Kurosawa\u2019s understated Japanese class drama \u201cHigh and Low,\u201d \u201cHighest 2 Lowest\u201d is the first collaboration in nearly two decades between New York maestro Spike Lee (\u201cDo the Right Thing\u201d) and perennial Hollywood leading man Denzel Washington, who was awarded an honorary Palme d\u2019Or at this year\u2019s ceremony. Set for theatrical release by A24 on Aug. 22 and a streaming release via Apple TV+ on Sept. 5, \u201cHighest 2 Lowest\u201d begins as a stilted melodrama, but Lee\u2019s tight control over tonal shifts yields some of the most electric filmmaking of his lengthy career. It\u2019s a pulsing morality play about how far a rich record executive (Washington) will go to save the kidnapped son of his poor chauffeur (Jeffrey Wright). By the end, the film successfully teases out themes around how wealth and success have a tendency to separate people from their roots.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"Highest 2 Lowest | Official Teaser HD | A24\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/MZ2V8znYMSk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cIt Was Just an Accident\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>Acquired by Mubi internationally and by Neon in North America (the sixth straight Palme d\u2019Or winner in the company\u2019s rolodex), \u201cIt Was Just an Accident\u201d is dissident Iranian filmmaker Jafar Panahi\u2019s first production since being released from prison. The film is a furious roadtrip comedy-drama that speaks truth to power through a carefully considered tale of former inmates debating what to do with an unconscious man they believe tortured them in captivity.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"It Was Just an Accident new clip official from Cannes Film Festival 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Sxcrm1FGO9c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cThe Mysterious Gaze of the Flamingo\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>Although yet to find North American distribution, it may not be long before Diego C\u00e9spedes\u2019 tender, rigorous film finds a home, since it won the top prize at Cannes\u2019 parallel Un Certain Regard section, honoring films with a unique point of view. \u201cFlamingo\u201d explores the familial and romantic ties of a group of transgender women living in a Chilean mining town. Combining the bigotry of the early AIDS crisis with magical realism, the film follows 11-year-old Lidia (Tamara Cort\u00e9s) and her queer family as rumors spread about a mysterious disease transmitted by locking eyes with gay men or trans women. The film captures the dueling love and fear LGBTQ+ people had to contend with in the era.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"The Mysterious Gaze of the Flamingo new clip official from Cannes Film Festival 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/I5KyBIeomOw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cPillion\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>Set for release by indie powerhouse A24, Harry Lighton\u2019s \u201cPillion\u201d features Harry Melling (who played Dudley Dursley in the \u201cHarry Potter\u201d films) as a reclusive shut-in who finds himself after becoming the submissive in a BDSM relationship with a charismatic biker (Alexander Skarsg\u00e5rd). Winner of the Un Certain Regard award for best screenplay, the film uses broad archetypes to craft a raucously entertaining saga that treats queer leather subculture with a matter-of-factness befitting the average heterosexual rom-com. Despite its characters living in the discomforting gray area between consent and begrudging acceptance, it\u2019s a surprising crowd-pleaser.\u00a0\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"448\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" alt=\"\" class=\"wp-image-1558 lazyload\" data-src=\"https:\/\/filmfreeway.com\/articles\/wp-content\/uploads\/sites\/9\/2025\/05\/189309-1024x448.jpg\"><figcaption class=\"wp-element-caption\"><em>Courtesy Cannes Film Festival<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cResurrection\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>The jury awarded \u201cResurrection,\u201d one of the most esoteric works at Cannes, with a Special Award prize on closing night. A purveyor of \u201cslow cinema\u201d (in the vein of Soviet master Andrei Tarkovsky), Bi Gan\u2019s exuberant, episodic journey employs an abstract sci-fi framework about dreams as rebellion. He crafts images of a kind you likely haven\u2019t seen before, or never thought possible. From head-spinning odes to silent cinema to jaw-dropping, half-hour-long takes rushing through a city at sunrise, the film collapses the history of movies into two-and-a-half hours, while portraying its infinite possibilities. Janus Films has just acquired the North American rights to this Chinese arthouse odyssey.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"Teaser RESURRECTION directed by Bi Gan - Competition at 2025 Cannes Film Festival\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/JTh8gePW6FM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cThe Secret Agent\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>A Neon-Mubi combination release, \u201cThe Secret Agent\u201d unfolds during Brazil\u2019s military dictatorship in the 1970s. Led by Wagner Moura\u2014who was awarded the festival\u2019s best actor trophy alongside Kleber Mendon\u00e7a Filho\u2019s best director win\u2014the story follows a technology expert reuniting with his toddler son while on the run for mysterious reasons. A tale of dangerous circumstances and secrets that reveal themselves gradually (the premise only becomes clear halfway through the 158-minute runtime), the movie\u2019s rich historical detail and magnetic characters create a vivid sense of time and place, giving rise to an alluring period drama about living under the boot of authority.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"The Secret Agent new clip official from Cannes Film Festival 2025 (1\/2)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/qjj_CXwMkVA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cSentimental Value\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>After his moving millennial drama \u201cThe Worst Person in the World\u201d in 2021, Norwegian filmmaker Joachim Trier made a triumphant return with family saga \u201cSentimental Value,\u201d which won the festival\u2019s Grand Prix. Trier re-teams with actor Renate Reinsve for the story of an Oslo stage performer whose estranged filmmaker father (Stellan Skarsg\u00e5rd) approaches her for an unusual reconciliation: an offer to cast her in a tragic role written with her in mind. Equal parts shattering and soothing, the movie captures the difficult road to healing through generational wounds, and the function of art as a conduit for difficult emotions. The film is set for release by Mubi internationally, and by Neon in North America.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"SENTIMENTAL VALUE | Official Clip | Coming Soon\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Rk3Z6_a0RVk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cSir\u00e2t\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>The co-recipient of the festival\u2019s Jury Prize alongside \u201cSound of Falling,\u201d \u00d3liver Laxe\u2019s existential Spanish drama \u201cSir\u00e2t\u201d (another Neon-Mubi release) turns a sprawling Moroccan desert into a venue for deep reflections. The narrative follows an elderly father, accompanied by his young son, joining a group of desert ravers to find his teenage daughter as war breaks out across the globe. With foreboding sound design born from bass-heavy techno, and practical filmmaking akin to \u201cMad Max: Fury Road,\u201d the story takes increasingly absurd and despondent turns, pushing its characters to their breaking points. The film is a meditation on just how much people are willing (or able) to endure when it feels like the end of the world is near.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"Sir\u00e2t clip official from Cannes Film Festival 2025\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/8sPo7LXw8TU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>\u201cSound of Falling\u201d\u00a0<\/strong><\/h4>\n\n\n\n<p>A ghostly tale set in the confines of a German farmhouse, Mascha Schilinski\u2019s Mubi release\u2014the other film awarded this year\u2019s Jury Prize\u2014unfolds over a century and follows the entwined lives of four generations of women and girls, separated by decades. Slipping back and forth in time, the non-linear drama captures family secrets, the evolving social confines of femininity, and the specters of death and depression. While only Schilinski\u2019s second feature, it plays like the seasoned work of a major voice in arthouse cinema, and it\u2019s sure to give willing audiences both a challenging and rewarding experience.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"atbssuga-responsive-video\"><iframe loading=\"lazy\" title=\"Sound of Falling 2025 - Official Trailer\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ZkhSvk-BM1Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>From the best director winner to special award winners to the straight-up trippy, these are the titles to know out of this year\u2019s fest.<\/p>\n","protected":false},"author":75,"featured_media":1561,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[45],"tags":[],"class_list":["post-1555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>10 Highlights From Cannes 2025 | FilmFreeway<\/title>\n<meta name=\"description\" content=\"These are the titles you\u2019ll likely be hearing about all year.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmfreeway.com\/articles\/10-films-to-watch-from-cannes-2025\/\" \/>\n<meta property=\"og:locale\" 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