When the Woodlark Sings

I got an idea for the film from my mother: she is a passionate forest mushroom picker and spends a lot of her free time in the forest. Once she got lost in the forest and after a while she began to listen intently into the forest. She noticed that a bird always sang unpleasantly and shrilly when she mistakenly changed direction. She followed the "forewarnings" and came back from the forest unharmed. - In this context, I asked myself what it would look like if two people were left on their own in the forest. Would they adapt to the nature or they act independently of the surroundings? Would they try to enforce their own idea of being together and helping each other? Or would they stumble over their own character traits?
From these questions and the resulting storyline, a certain theme emerged, namely: lack of love as the spiritus movens of human life. The theme is shown in the film as a physical and inner journey: the deeper the film characters go into the forest, the deeper we go into the characters. But the path into the depths of the characters and into the depths of the forest no longer remains linear as it was initially, but soon becoming a labyrinth. I have given the forest a timeless role and as a character I have let it appear in its natural element. The characters in the film no longer remain the model of man, they become the human image of man. With them, no clear line is drawn, nothing is black and nothing is white - as a counterpoint to the visual film concept.