When I Die
An inspiring film about death. Set in the rural Ottawa Valley, WHEN I DIE is the story of six women who, on learning the shocking news that their 38-year-old friend Sabrina is critically ill, are given by her the ultimate responsibility: to take care of her body in her home when she dies, for three days, and arrange her backyard funeral and green burial. Fearing it will all go sideways, what surprises them is not just how simple it is, but how much healing takes place as they tend to her body and offer their final acts of love. Megan, one of those women, is so moved by the powerful experience that she resolves to take on the challenge of making at-home deathcare and green burial accessible to all.
This story intersects climate justice with social justice as it demonstrates the power of women-led leadership facing oppressive systems. This example of communal evolution seeds a vision of a just climate, spotlighting the strength and resilience of a handful of women who build a more equitable and humane future through their loving actions for their community, place and future generations.
Megan’s quest to establish a local green cemetery and raise awareness about deathcare in the Ottawa Valley, is being documented observationally. The story of Sabrina’s deathcare, backyard funeral and green burial, is re-told by the women who cared for her – in interviews during women’s circles, accompanied by intimate, dream-like re-created scenes and stop-motion animated sequences made by Megan, the protagonist, in collaboration with animator bekky O'Neil. By the end of the film, Megan feels bittersweet about her accomplishment, and is so burnt out from navigating bureaucracy that she takes a step back to make more room in her life for art. Her stop motion animation is a continuation of her healing journey.
This project is being made in strong connection to community, including the women who cared for Sabrina, the green burial co-op that Megan founded, and the greater local death positive community.
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Susannah Heath-EvesDirectorJugaad; Take It Outside: Beyond Classroom Walls
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Susannah Heath-EvesWriterJugaad; Take It Outside: Beyond Classroom Walls
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Susannah Heath-EvesProducerJugaad; Take It Outside: Beyond Classroom Walls
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Megan SpencerKey Cast
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Nigel LevyExecutive ProducerDrive to Survive, Sunderland 'Til I Die, The Man Who Stole the Scream
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bekky O'NeilLead AnimatorHow to Lose Everything: A Field Guide, Heart Like A Pow Wow
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Shane MendonsaComposerPlacebo, Hutatma, Take It Outside
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Project Type:Documentary, Feature
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Genres:Climate justice, social justice, women leadership
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Runtime:1 hour 15 minutes
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Completion Date:April 15, 2023
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Production Budget:301,928 CAD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:4k
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
SUSANNAH HEATH-EVES is a Canadian documentary filmmaker based in Ottawa, currently working on stories about social justice and connection to nature. Her new feature-length doc, TAKE IT OUTSIDE: BEYOND CLASSROOM WALLS, explores the magic of outdoor learning and was funded by the Lego Foundation. Her debut feature-length film, JUGAAD (2017) – a meditation on the human condition in Mumbai, one of the most densely populated cities on Earth – streamed globally on NETFLIX and was acquired by CBC’s Documentary Channel. Earlier, she was the Line Producer and Co-Editor at EyeSteelFilm for THE FRUIT HUNTERS, directed by Yung Chang, a feature film and two-episode series for CBC's The Nature of Things, in collaboration with the National Film Board of Canada. Susannah has worked as a reporter and current affairs associate producer for CTV and CBC Radio and Television. She has a Masters Degree in Broadcast Journalism and a BA in English Literature, both from Carleton University in Ottawa.
I strive to tell social justice themed cinematic stories that explore diverse human experiences in new ways. In these creative openings we can make greater, more meaningful discoveries about ourselves and choose the best path forward towards a more just and equitable world.
My past work has focused on making connections with and between people from diverse backgrounds, giving voice to some of society’s most vulnerable communities and sharing their stories with a broad audience as an exercise in spreading awareness, compassion and deep thinking.
Through WHEN I DIE, I’ve chosen to examine a women-led community that is close to home, geographically and culturally, in rural Ontario. I’ve been moved to share a powerful story that has the potential to not only heal our fear of death, but also help North American settler society unlearn some of our colonial, capitalism-fueled ways and move into deeper relationship with community, land and our own humanity.