The Weight of Air
In a near-future society where a single injection called BLISS eliminates all pain, anger, and sadness, Jory stands as the last to resist a world addicted to artificial happiness. After his father’s death—a man who refused BLISS and paid the ultimate price—Jory is left alone in his grief.
His sister Amelia, thriving under BLISS, cannot comprehend his struggle, while their estranged mother’s unexpected return—triggered by BLISS—reopens wounds long buried.
On the darkest day of his life, Jory is forced to confront a fractured family and a society numbed to reality, asking: if happiness has shortcut, is it still a life worth living?
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Jingyu LiuWriter
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Project Type:Screenplay, Short Script
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Genres:Sci-Fi, Drama, Family
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Number of Pages:35
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Best Script Award - LondonLondon
January 13, 2025
Finalist
Jingyu Liu is an award-winning director/writer whose films have been recognized at prestigious events, including the Golden Reel Awards, the Shanghai International Film Festival (A-list), and Oscar-qualifying festivals such as Out on Film.
Notable works include The Somnium, an official selection at the Shanghai International Film Festival, and The Last Lesbian, which has been showcased globally in cities including Los Angeles, Atlanta, Brisbane, and Copenhagen. Jingyu has also directed acclaimed documentaries such as CCTV’s A Big River and produced and directed videos for leading brands like Coca-Cola, Huawei, AIA, and Tencent.
With living experience in the United States, Dubai, and China, Jingyu brings a broad vision and a refined sensibility to her work. She is committed to creating compelling stories that resonate with audiences worldwide.
The inspiration for The Weight of Air came from seemingly mundane moments in life—taking painkillers for a headache, smoking a cigarette to unwind, or drinking coffee to push through exhaustion. These everyday actions made me wonder: what if every discomfort, every difficult emotion, could be controlled externally? What if we never had to face the weight of our own bodies or emotions? Instead of taking responsibility for our feelings, we could simply medicate away pain, sadness, or even the natural lows of life. But if happiness becomes effortless—achieved through a shortcut—does it lose its meaning? Would our emotions still hold value, or would such effortless joy become hollow and empty?
This idea led me to imagine a future society where every sensation of discomfort—both physical and emotional—can be erased with a single injection called BLISS. In this world, happiness is no longer earned or pursued but artificially induced. I began to explore what it would mean to live in such a world, and what it would feel like to be the last person resisting. How does one hold on to humanity when everything around them has surrendered to a flawless facade?
The story also touches on broader themes. First, when everyone is altered or “perfected,” those who remain unchanged are seen as flawed, even obsolete. Societies striving for progress rarely show mercy to those left behind. Second, the film examines the relentless demands of modern life, where mounting pressure and competition leave little room for vulnerability. BLISS in the story symbolizes this force—a system that offers no real choice but compliance. To reject it is to risk being cast aside, unable to keep pace with the ever-accelerating world.
I often find myself longing for the art and culture of two decades ago—films, music, and literature that valued reflection and depth. In contrast, the internet’s relentless speed has brought us short videos and disposable cultural fast food, trapping us in an endless cycle of creating and consuming. There’s no turning back. In some ways, this film is a requiem for that slower, more thoughtful era—a personal farewell to a lost sense of stillness.
The Weight of Air is, at its heart, a deeply human story about loss, resilience, and what it means to truly feel alive. It is a sad story, but one I hope to tell with tenderness and beauty. I imagine a slow, meditative film where stark, striking landscapes and the interplay of warm and cool tones echo the emotional struggles of the characters. With a committed cast and meticulously crafted visuals, I aim to create an immersive, poetic experience that invites the audience to reflect on the depths of human emotion. This is my attempt to write a final poem for humanity—a love letter to the messy, fragile, and irreplaceable core of what makes us who we are.