Private Project

VITRUVIA

Vitruvia seeks thru the choreography the semiotic deconstruction of The Vitruvian Man transgressing the masculine figure of perfect proporsions and presenting in its place a female figure fighting against the perfect proportions that mean the perfect role. This dance short film presents a feminist view of this renaissance drawing by Leonardo Da Vinci.

  • Angelica Roa
    Director
    KosmoCorporea
  • Leo Carreño
    Director
    Cumbia urbana, KosmoCorporea
  • Angelica Roa
    Writer
    KosmoCorporea
  • Angelica Roa
    Producer
    KosmoCorporea
  • Leo Carreño
    Producer
    KosmoCorporea
  • Angelica Roa
    Key Cast
    "Vitruvia"
    KosmoCorporea
  • Nicolás Soto
    Musical Composer
    KosmoCorporea
  • Diego García
    Musician recorded
    KosmoCorporea
  • Project Type:
    Experimental, Music Video, Short, Other
  • Genres:
    Art, Dance Film, Art Video, Feminist, Semiotic Deconstruction, Anachronic, Performace, Poetic, Erotic
  • Runtime:
    6 minutes 37 seconds
  • Completion Date:
    December 20, 2020
  • Production Budget:
    3,000 USD
  • Country of Origin:
    Colombia
  • Country of Filming:
    Colombia
  • Language:
    English, Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Angelica Roa, Leo Carreño

Angelica Roa is a dancer, choreographer, phisicist and stage director. She has won several awards as a choreographer and dancer even since her first choreographic work at the age of 23. Her choreographic work has been presented in important venues of Colombia and the USA.

Leo Carreño is a plastic artist and cinematographer, his art videos and photographic work has been exposed in Colombia, Spain and Belgium among others. He has been editor and cameraman in several videodance works.

Add Director Biography
Director Statement

This dance short film presents a feminist view of The Vitruvian Man, the drawing by Leonardo Da Vinci. It takes the drawing to the life but presents a Vitruvian Woman instead, who overcomes the concept of the ideal proportion to transcend it.