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Urban Eclipse: Rising Tides of Kekekoziibii (Shoal Lake #40 First Nation)

Winnipeg Manitoba plays itself in this documentary, Urban Eclipse: Rising Tides of Kekekoziibii (Shoal Lake #40 First Nation). Deeply entrenched in the landscape are the growing pains from an aqueduct built in the early 1900’s to feed its water supply. It’s a history that speaks to a dirty truth: The major artery piping clean water to an urban centre has displaced and isolated an Anishinaabe community in Treaty 3 territory, robbing them of their own drinking water.

2019 marks the centennial of the aqueduct and the same year “Freedom Road” opens as a vein to the Trans-Canada Highway. The Shoal Lake #40 water issue continues to capture global attention, and Prime Minister Justin Trudeau even visited the community for a first-hand experience. The water that connects the Lake of the Woods watershed remains a powerful force and the memories and ongoing relationships continue to define the narratives of Kekekoziibii.

This documentary is unique because it reflects +100 archival images, drawing from the City of Winnipeg Archives – Greater Winnipeg Water District (GWWD) and Winnipeg in Focus, the Presbyterian Church in Canada Archives, Provincial Archives of Alberta, Library and Archives Canada, Manitoba Free Press, StrongFront.tv Vault, and the Museum of Canadian Human Rights Violations.

StrongFront.tv is an Indigenous media production company committed to sharing the voices of First Nations and Metis people through the lens of resiliency and empowerment.

If you or your organization would like to buy a DVD copy of "Urban Eclipse" Winnipeg Film Group is distributing! https://www.winnipegfilmgroup.com/product/urban-eclipse-dvd

Produced by STRONGFRONT.tv
Directed by Jesse Green and Vanda Fleury-Green

#UrbanEclipse #FreedomRoad #ShoalLake40 #Kekekoziibii #STRONGFRONTtv #JesseGreen #VandaFleuryGreen #Aqueduct #Winnipeg #HonourTheSource #HonourOurAgreements #Shoalidarity #WaterIsLife #Anishinaabe #Water

  • Jesse Green
    Director
    Brown Town Muddy Water
  • Vanda Fleury-Green
    Director
  • Vanda Fleury-Green
    Writer
    Brown Town Muddy Water
  • Jesse Green
    Producer
    Brown Town Muddy Water
  • Project Type:
    Documentary, Television
  • Runtime:
    1 hour 17 minutes 10 seconds
  • Completion Date:
    October 17, 2018
  • Production Budget:
    67,000 USD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English
  • Shooting Format:
    HD
  • Aspect Ratio:
    16x9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Gimli Film Festival
    Gimli, MB
    Canada
    July 27, 2019
    Best Manitoba Director
  • Gimli Film Festival/TIFF Film Circuit
    Gimli, MB
    Canada
    July 26, 2019
  • Gimli Film Festival/TIFF Film Circuit
    Gimli, MB
    Canada
    July 25, 2019
  • Seven Oaks School Division Professional Development Day

    Canada
    June 7, 2019
  • Association for Manitoba Archives/Manitoba Day Award 2019
    Winnipeg, MB
    Canada
    May 29, 2019
    Manitoba Day Award 2019
  • Winnipeg Aboriginal Film Festival
    Winnipeg
    Canada
    March 30, 2019
  • Aboriginal Circle of Educators Conference
    Winnipeg
    Canada
    February 19, 2019
  • Riverbank Discovery Centre
    Brandon
    Canada
    January 19, 2019
  • The MHC Gallery/Canadian Mennonite University
    Winnipeg
    Canada
    November 2, 2018
  • Shoal Lake 40 Community Screening
    Shoal Lake #40
    Canada
    October 12, 2018
    World Premiere
Distribution Information
  • Bell MTS Fibe TV1
    Country: Canada
    Rights: Video on Demand
Director Biography - Jesse Green, Vanda Fleury-Green

STRONGFRONT.tv was established in 1999 and Jesse Green and Vanda Fleury-Green specialize in multimedia and education resources that bring Indigenous voices to life. Our stories are multi dimensional and STRONGFRONT.tv's unique blend of storywork builds on the layers of knowledge, oral histories, archival elements, and other sources of inspiration. Privilege is related to purpose and they are committed to initiatives that carry Indigenous voices into the future. It’s the lens of empowerment that makes this work meaningful.

Jesse Green was raised in Winnipeg and his family roots extend to Sioux Valley and the Anishinaabe community of Shoal Lake 40 First Nation. He is an accomplished producer and director who has achieved industry respect, recognition, and awards. He holds over 20 years of experience in the media and film industry. Jesse is also an instructor at the Adam Beach Film Institute in Winnipeg. Working with youth allows him to apply and share his talents practically with the forthcoming generation of storytellers. Jesse was lead guitar and band leader for the legendary Buffy Sainte-Marie from 2009-2015.

Vanda Fleury-Green is a Métis woman from the Uno valley who grew up along the western prairies of Manitoba. She is Director/Writer/Researcher and Community Narratives Specialist at STRONGFRONT.tv. Her skillset is derived from a background in museums, archives, radio and community based education projects. Vanda’s residential school photographs have been featured in the magazine Locale – National Trust for Canada. Her interest grew out of the Fleury experience at Lebret SK and visiting the grounds of former schools.

For these partners, the best productions of all time are their children, Mila and Liam.STRONGFRONT.tv was established in 1999 and Jesse Green and Vanda Fleury-Green specialize in multimedia and education resources that bring the diversity of Indigenous voices to life.

Add Director Biography
Director Statement

I acknowledge my family from and the people of Shoal Lake 40 as they are the heart of this story and the motivation behind the project.

I wanted to do this documentary to learn more about my community and in doing so learnt a lot about my home town Winnipeg. The journey started with my personal story and evolved to include elements of our family identity too.

The genesis of the City is deeply entrenched in the landscape, and the aqueduct built in the early 1900’s continues to be the main vein of our water supply. It’s part of our collective history. I’ve come to understand the complexities of colonialism, namely the web of politics, displacement, residential schooling, and the role of media.

This documentary is a way of giving back to the community and I am dedicated to being involved with Shoal Lake 40 as an off reserve member living in Wpg. I started working with the community in 2003 on a video project for the traditional governance model and I’ve continued filming over the years. This has been a notable contribution to our community archive and the backbone of the footage in the documentary.