Unlawful Combatant
American contractors endure a surprise workplace inspection.
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Jackson FathereeDirector
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Jack FathereeWriter
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Chris HarderProducerThunder Road
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Madeline PowerProducer
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Jack FathereeProducer
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Bridge StuartKey Cast
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Adam El-SharkawiKey Cast
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Hannah ElderKey Cast
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Nican RobinsonKey Cast
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Dustin HahnKey Cast
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Will MaddenKey Cast
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Joey HeyworthKey Cast
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Project Type:Short
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Runtime:10 minutes
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Completion Date:September 7, 2021
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Sick 'n' Wrong Film FestivalOrlando, FL
United States
December 11, 2021
World Premiere -
FestivalFilosofia, Section: "It is not the Ennesimo FestivalFilosofia"Sassuolo
Italy
September 17, 2022
International Premiere
Jack Fatheree is a filmmaker and photographer from Bethesda, Maryland, USA. He has a BA in Media from University of California San Diego. He has worked in film production since 2017, mostly in Austin, TX and mostly as a production assistant. He is interested in depicting and dissecting the social and psychological structures that shape our material world. Unlawful Combatant is his first film.
This is a film dealing with a subject I have studied since I was a child. Like many young boys, I thought the military was the coolest thing, and our culture overwhelmingly pushes the idea that US foreign policy is conducted ethically and professionally. Every conflict is pitched with the moral certitude of World War II. Learning about the US rendition and torture program caused a massive shift in my worldview as a kid.
I tried to depict the dark reality in this film. After the 9/11 attacks, very real and understandable anger morphed into xenophobia and a War on Terror which expanded across the globe. Everything depicted in this film was really carried out by US military personnel, private contractors, or intelligence agencies from other countries under our direction. Many innocent people were swept up in the drag net of anti-terror and subjected to horrific psychological and physical damage. The story of Khalid El-Masry was a specific inspiration for this short.
The torture program never delivered any useful intelligence, but there seemed to be a sort of nihilistic "why not" attitude among many calling the shots; for example, higher ups in the CIA felt that an extralegal detention and torture program was unnecessary and would likely be ineffective, but they followed through with it anyway because they were given the opportunity to do so with impunity. These methods continue to be used by our allies today, in conflicts like the Saudi war in Yemen.
Hopefully, this film is about more than just the specific issue of torture, but also the ways in which we try to ignore suffering, deny our culpability, or use progressive language to avoid addressing structural issues. If no one at the top is held responsible for crimes like the torture program, then what basis do we have to claim moral superiority?