Under the Clothesline
Following a couple moving into their home, a clothesline observes their developing abusive relationship worsen. When Bonnie discovers her husband, Rodger, has hurt their daughter, Caity, and confronts him about it, the clothesline attempts to help set her free. Will Bonnie escape the relationship? And will this clothesline help?
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Kimberly HodgkinsonDirectorMess I Made
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Kimberly HodgkinsonWriter
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Kimberly HodgkinsonProducer
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Hayley SmithProducer
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Zoe WaltonDirector of Photography
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Whitney DuffKey Cast"Bonnie"
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Korey WilliamsKey Cast"Rodger"
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Charlotte RidleyKey Cast"Caity"
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Rebecca Myers1st AD
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Matt HohnsEditor
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Millicent Norman1st Assistant Camera
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Serayna NealProduction & Costume Designer
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Monae SaltonProduction Design Assistant
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Cary RoulstonHead of Sound Department
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Dakota FeeneyLocation Sound & Foley Artist
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Bob HsiungGaffer
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Jakob HartupBest Boy
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Ryan WoodwardLighting & Grip Assistants
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Ethan LeeLighting & Grip Assistants
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Chloe SivewrightBTS Photographer
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Clare WhitePoster Design
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Mariah CrankMakeup & Hair Artist
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Ryan RayfieldCast (Extras)
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Shaynna AllenCast (Extras)
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Izzy BlackburnCast (Extras)
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Project Type:Short, Student
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Runtime:8 minutes
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Completion Date:December 15, 2021
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Production Budget:3,500 AUD
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Country of Origin:Australia
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Country of Filming:Australia
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Language:English
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - SAE Creative Institute
Kimberly is a young filmmaker from Brisbane, Queensland, Australia. She studied a Bachelor in Film Production at SAE in Brisbane. Kimberly previously directed the music video 'Mess I Made' 'Under the Clothesline' is her short film directing debut, and her graduate film.
I wrote Under the Clothesline as my film school graduate film, but I hope it can become so much more than that. I hope that people remember it, whether they like it or not, and that you haven't seen anything like it before.
The hills hoist clothesline is often recognised as an Australian household icon - it is our invention after all, and this film is that familiar made strange. The clothesline is characterised by its moving parts - the spinning arms, the strings, and the handle’s rotation.
Depicting domestic violence on screen can be hard, but I believe it was the right choice. The end can be a shock, but I've found it has almost become a heightened reality of the consequences for men who abuse their wives.