Tuned Decay
This work deconstructs digital video, transforming technical limitations into aesthetic potential. By zooming into pixels, slowing time, and layering footage, I reveal the hidden poetry of electronic imagery. What conventional videography sees as failures - pixelation, tearing, algorithmic artifacts - become my primary artistic language. This piece is a meditative journey that challenges our rapid visual consumption, inviting viewers to drift and contemplate the microscopic dance of digital matter.
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John BerzinsDirector
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Project Type:Experimental
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Runtime:14 minutes 53 seconds
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Completion Date:November 28, 2024
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Production Budget:100 USD
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Country of Origin:United States
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Country of Filming:United States
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
I have been making short films since 1995. I started with super8, graduated to 16mm. With the advent of mini-dv I jumped into the video world, exploring the limitations of this medium. In 1999 I started a small independent film festival in San Francisco at a local bar that had a backyard that seated 300. After 10 years of selling out 3 shows per summer, I turned back to creating my own videos, exploring and exploiting the boundaries of the video medium.
In a world that is perpetually accelerating, my work seeks to decelerate perception, transforming digital video from a transparent medium into a textural landscape of pure visual experience. I challenge the longstanding aesthetic hierarchy that privileges film's materiality over video's digital essence, instead celebrating the fundamental building blocks of electronic imagery.